"Focused Fugue (Instrumental Study Music for Deep Focus)" by Vincent von Haller had its release date on July 8, 2024. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 26 in Classical Music for Studying, Concentration, Focus, And Relaxation - Instrumental Background Music for Reading, Working, And Meditation - Best Classical Piano, Violin, And Orchestra Pieces for Productivity and Calm by Vincent von Haller. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Focused Fugue (Instrumental Study Music for Deep Focus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Focused Fugue (Instrumental Study Music for Deep Focus) by Vincent von Haller is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Epistles from Another Age (Mystical Instrumental for Reading and Focus) | Vincent von Haller | D Minor | 1 | 7A | 91 BPM | ||
| Antonio Vivaldi: Concerto for four violins and Orchestra in B Minor, Allegro | Mincho Minchev | B Minor | 3 | 10A | 107 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
| Divertimento in D Major, K. 205: III. Adagio | Wolfgang Amadeus Mozart, English Chamber Orchestra, José-Luis Garcia | A Minor | 2 | 8A | 170 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Aria | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | A Minor | 2 | 8A | 170 BPM | ||
| Folk song from Norrland, Sweden: Vårvindar friska/17. mai-sang for de små | Traditional, Tor Jaran Apold, Torgeir Kinne Solsvik | A Minor | 0 | 8A | 55 BPM | ||
| Concerto for Three Harpsichords, Strings and Continuo in D Minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach, Bertrand Cuiller, Jean-Luc Ho, Pierre Gallon, Le Caravansérail | E Major | 2 | 12B | 103 BPM | ||
| Stellar Vibration | Lumi Risto | A♭ Minor | 8 | 1A | 104 BPM | ||
| Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | C Minor | 2 | 5A | 103 BPM | ||
| Symphony No. 12 in D Major: II. Adagio ma non troppo | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 126 BPM | ||
| Sonata in G Minor, No. 5: IV. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 75 BPM | ||
| Cello Concerto in G Major, G. 480: I. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | G Major | 0 | 9B | 100 BPM | ||
| Corelli: Concerto grosso in D Major, Op. 6 No. 7: II. Allegro | Arcangelo Corelli, Claudio Scimone, I Solisti Veneti | D Minor | 2 | 7A | 147 BPM | ||
| Sextet in D Major, B24: III. Rondo. Allegretto | Antonio Rosetti, Compagnia di Punto | F Major | 1 | 7B | 95 BPM | ||
| Delicious Moments | Estoria | A♭ Minor | 6 | 1A | 164 BPM | ||
| Concerto Grosso in G Minor, Op. 3, No. 10: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | G Minor | 2 | 6A | 119 BPM | ||
| Concerto Grosso in E Minor, Op. 1, No. 4: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
| Concerto for Cello and Orchestra No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Hee-young Lim | C Major | 1 | 8B | 116 BPM | ||
| Symphony No. 59 in B-Flat Major: III. Presto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A Major | 3 | 11B | 124 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Symphony in D Minor, W. I/3: III. Allegro assai | Johann Christoph Friedrich Bach, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Orchestral Suite No. 2 in B Minor, BWV 1067: Ⅶ. Badinerie | 麥家樂, Russian Chamber Symphony Orchestra | G Major | 2 | 9B | 97 BPM | ||
| Cello concerto in D major, K. 285 d: II. Adagio | Wolfgang Amadeus Mozart, Matt Haimovitz, Stefan Sanderling, Orchestre de Bretagne | F♯ Minor | 0 | 11A | 172 BPM | ||
| Concerto for Strings in G Major, TWV 51:G9: III. Andante | Warmia Symphonic Orchestra, Silvano Frontalini, Giovanni Antonioni | E Minor | 2 | 9A | 54 BPM |