"Barrio Reo (Tango)" by Sergio Veloso, Hugo Rivas, Rudi Flores had its release date on December 10, 2015. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Barrio Reo (Tango)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sergio Veloso's "Mejor Solo Pero Bien Acompañado" album is number 10 out of 14. On top of that, Argentina appears to be the country where this track was created. Barrio Reo (Tango) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Barrio Reo (Tango) by Sergio Veloso, Hugo Rivas, Rudi Flores to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Convencernos | Raúl Lavié, Chico Novarro | G Major | 8 | 9B | 123 BPM | ||
| Flaca | Max Aguirre | C Major | 3 | 8B | 65 BPM | ||
| Preparate pal' Domingo | Glorias Porteñas | E Minor | 1 | 9A | 73 BPM | ||
| El Viaducto | Ofidio Dellasoppa y las cuerdas flojas | G Major | 5 | 9B | 103 BPM | ||
| Uvas Viejas | Cuarteto La Púa, Victoria Di Raimondo | F♯ Major | 3 | 2B | 110 BPM | ||
| No Me Arrepiento de Este Amor | Oscar Lajad | B♭ Major | 4 | 6B | 92 BPM | ||
| Mano A Mano | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
| Vecina | Gianny | D Minor | 2 | 7A | 83 BPM | ||
| Distancia | Oscar Del Cerro | F♯ Major | 1 | 2B | 99 BPM | ||
| Por Una Cabeza | Hugo Díaz | A Major | 4 | 11B | 108 BPM | ||
| Cuando Me Entres a Fallar | Alfredo Belusi | F Minor | 3 | 4A | 117 BPM | ||
| Que Buena Fe | Carlos Montero | D Minor | 4 | 7A | 134 BPM | ||
| Histeriquita | Cuarteto Ricacosa | E Major | 4 | 12B | 108 BPM | ||
| No Falta Mucho | Jorge Falcón | A Major | 4 | 11B | 113 BPM | ||
| Escolazo | Marcelo San Juan | G Major | 5 | 9B | 110 BPM | ||
| Besos brujos | Glorias Porteñas | C Major | 1 | 8B | 106 BPM | ||
| Esquinas Porteñas | Las Bordonas | G Major | 4 | 9B | 124 BPM | ||
| Azul Melancolía | Lucio Arce | A Minor | 3 | 8A | 95 BPM | ||
| Trenzas | Orquesta Típica Andariega, Marisol Martinez | A Minor | 4 | 8A | 86 BPM | ||
| Milomba | Orquesta Típica Andariega | G Major | 5 | 9B | 103 BPM | ||
| De Tardecita | Nina Miranda, Donato Racciatti y Su Orquesta Típica | G Major | 4 | 9B | 133 BPM | ||
| Ruido (with Piti Fernandez) | Quinteto Negro La Boca, Piti Fernández | F♯ Minor | 6 | 11A | 125 BPM | ||
| La Vida | Romina Balestrino | A Minor | 9 | 8A | 114 BPM | ||
| A las Orquestas | Julio Pane | E Minor | 4 | 9A | 83 BPM | ||
| Rebeldía | Viviana Scarlassa, Oscar De Elía | A♭ Minor | 3 | 1A | 101 BPM |