"5 Movements For String Quartet, Op.5: 4. Sehr langsam" by Anton Webern, Emerson String Quartet had its release date on January 1, 1995. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Webern: Works for String Quartet; String Trio Op.20 by Anton Webern, Emerson String Quartet, MaryAnn McCormick. The song's track number on the album is #5 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. 5 Movements For String Quartet, Op.5: 4. Sehr langsam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Movements For String Quartet, Op.5: 4. Sehr langsam by Anton Webern, Emerson String Quartet has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 5 Movements For String Quartet, Op.5: 4. Sehr langsam being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Memoriam Dylan Thomas: Do Not Go Gentle into that Good Night | Igor Stravinsky, Robert Tear, Ensemble Intercontemporain, Pierre Boulez | E Minor | 0 | 9A | 96 BPM | ||
| Three Poems (1899-1903): 3. Fromm | Anton Webern, Christiane Oelze, Eric Schneider | B♭ Major | 0 | 6B | 132 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| Three Poems (1899-1903): 2. Nachtgebet der Braut | Anton Webern, Christiane Oelze, Eric Schneider | B Major | 1 | 1B | 95 BPM | ||
| Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 75 BPM | ||
| Four Walls Act 1 Scene II | John Cage, Margaret Leng Tan, Joan La Barbara | B Major | 9 | 1B | 134 BPM | ||
| Kantate No. 2, Op. 31: III. Schöpfen aus Brunnen des Himmels | Anton Webern, Pierre Boulez, London Symphony Orchestra | F Minor | 1 | 4A | 97 BPM | ||
| Shostakovich: Piano Quintet in G Minor, Op. 57: II. Fugue. Adagio | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | C Minor | 0 | 5A | 90 BPM | ||
| Kantate II, Op. 31: I. Schweigt auch die Welt. Sehr lebhaft – Ruhig | Anton Webern, Gerald Finley, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 74 BPM | ||
| Peter Grimes, Op. 33, Act II: Interlude III | Benjamin Britten, Edward Gardner, Bergen Philharmonic Orchestra | F Major | 0 | 7B | 58 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Violin Concerto "To the Memory of an Angel": II. Allegro - Adagio | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | F Major | 1 | 7B | 78 BPM | ||
| 3 Lieder für Sopran, Klarinette und Gitarre, Op.18: 2. Erlösung - 2021 Remastered Version | Anton Webern, Grace-Lynne Martin, Hugo Raimondi, Jack Marshall, Robert Craft | F Minor | 1 | 4A | 128 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 0 | 8B | 129 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XVIII. Stille vor dem Sturm | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | B♭ Major | 3 | 6B | 147 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Conerto Op. 24 For Flute, Oboe, Clarinet, Horn, Trumpet, Trom- Bone, Violin, Viola And Piano: I. Etwas lebhaft | Anton Webern, Ensemble Intercontemporain, Pierre Boulez, Pierre-Laurent Aimard | D♭ Major | 0 | 3B | 115 BPM | ||
| 2 Pieces for Cello and Piano: No. 1, Langsam | Anton Webern, Clemens Hagen, Oleg Maisenberg | E♭ Major | 0 | 5B | 93 BPM | ||
| 8 Early Lieder (1901-1904): 4. Bild der Liebe | Anton Webern, Christiane Oelze, Eric Schneider | F Major | 0 | 7B | 95 BPM |