Snapcase's ' "Breaking And Reaching" was released on its scheduled release date, April 8, 1997. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Progression Through Unlearning". In this album, this song's track order is #10. The popularity of Breaking And Reaching is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Breaking And Reaching by Snapcase having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| John Woo | Botch | E♭ Major | 8 | 5B | 168 BPM | ||
| False Salvation | All Out War | D Major | 9 | 10B | 167 BPM | ||
| Minus One | Morning Again | B♭ Major | 9 | 6B | 103 BPM | ||
| Poisoned Seeds | Buried Alive | F♯ Minor | 10 | 11A | 80 BPM | ||
| Besiege the Masses | Merauder | D♭ Major | 9 | 3B | 98 BPM | ||
| Not One Truth | Hatebreed | C Major | 9 | 8B | 165 BPM | ||
| Disconnect | Trapped Under Ice | A Major | 9 | 11B | 125 BPM | ||
| Drown | Burn | C Major | 8 | 8B | 87 BPM | ||
| Kill Their Past | Buried Alive | A Major | 10 | 11B | 99 BPM | ||
| Curtain | Unbroken | D Major | 9 | 10B | 140 BPM | ||
| She Suffocates | Snapcase | D♭ Minor | 9 | 12A | 106 BPM | ||
| This Wake I Myself Have Stirred | Shai Hulud | F♯ Minor | 9 | 11A | 109 BPM | ||
| Cherub | Bloodlet | G Major | 8 | 9B | 103 BPM | ||
| Lazzaro | Poison The Well | C Major | 10 | 8B | 168 BPM | ||
| Nine Stitches | Deadguy | A Major | 10 | 11B | 162 BPM | ||
| Superhero | Bane | G Major | 9 | 9B | 96 BPM | ||
| Saint Matthew Returns to the Womb | Botch | G Major | 10 | 9B | 159 BPM | ||
| Let It Die | Turmoil | A♭ Minor | 10 | 1A | 100 BPM | ||
| All In A Year | Comeback Kid | F♯ Major | 10 | 2B | 144 BPM | ||
| C. Thomas Howell as the “Soul Man” | Botch | A Major | 9 | 11B | 145 BPM | ||
| Crystal Lake | Poison The Well | G Major | 10 | 9B | 153 BPM | ||
| Deathbed | 108 | B Major | 5 | 1B | 128 BPM | ||
| The Commentator's Despair | 7 Angels 7 Plagues | F♯ Minor | 10 | 11A | 82 BPM | ||
| Gone | Disembodied | E♭ Major | 9 | 5B | 83 BPM | ||
| War For Refoundation | Reprisal | G Major | 9 | 9B | 186 BPM |