Shadowmind's ' "Dead End" was released on its scheduled release date, August 31, 2013. Dead End is explicit and may not be suitable for children. With the duration being about 4:08, this song is close to the average duration of a typical track. There are a total of 13 in the song's album "Shadowmind". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Dead End is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dead End by Shadowmind having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Objection | Cipher System | F♯ Minor | 10 | 11A | 68 BPM | ||
| Release My Chain | Miara | B♭ Minor | 10 | 3A | 110 BPM | ||
| Winning Where Losing Is All | Solution .45 | D Major | 10 | 10B | 160 BPM | ||
| Outro | Shadowmind | B Minor | 4 | 10A | 120 BPM | ||
| Wolves | Sarea | C Minor | 10 | 5A | 125 BPM | ||
| Chaos | Shadowmind | F♯ Major | 10 | 2B | 130 BPM | ||
| Not Alone | Nump | G Minor | 5 | 6A | 120 BPM | ||
| Silent Through the Screaming Crowd | Lahmia | F♯ Minor | 10 | 11A | 126 BPM | ||
| Guerra de otro mundo | BreakCloud | B Major | 9 | 1B | 168 BPM | ||
| Hurt Like You've Never Been Loved | Silent Descent | B Major | 10 | 1B | 115 BPM | ||
| Lighthouse | Orpheus Omega | F♯ Minor | 10 | 11A | 104 BPM | ||
| Alter Memory | Words Of Farewell | A♭ Major | 10 | 4B | 146 BPM | ||
| Your Shadow Haunts You | Engel | F♯ Major | 10 | 2B | 110 BPM | ||
| Underneath These Burdens | Dark Age | F♯ Major | 9 | 2B | 95 BPM | ||
| Silence Knelt Beside Me | Nox Resonantia | E Minor | 3 | 9A | 75 BPM | ||
| Deep Waters | Fraxures | B Minor | 9 | 10A | 135 BPM | ||
| Freedom in a Bottle of Scotch | Psycho Choke | G Major | 10 | 9B | 103 BPM | ||
| Perfection | Deals Death | D Major | 9 | 10B | 180 BPM | ||
| Secondary Effects | Darkane | B Major | 10 | 1B | 122 BPM | ||
| The Bash | Raunchy | B Minor | 10 | 10A | 160 BPM | ||
| Exit Wounds | Dark Age | A♭ Minor | 9 | 1A | 102 BPM | ||
| World Gone Mad - Radio Edit | Shadowmind | B Minor | 9 | 10A | 160 BPM | ||
| Asymmetric Dimensional State | Universum | G Major | 10 | 9B | 140 BPM | ||
| The Abandoned | I Am Noah | B Major | 10 | 1B | 155 BPM | ||
| Stress and Colours | Eye of the Enemy | F♯ Minor | 9 | 11A | 140 BPM |