Ben Matthews's 'This Is The Police (Act 1 Theme)' had a release date set for August 4, 2017. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "This Is The Police (Original Game Soundtrack - Deluxe Edition)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Australia. This Is The Police (Act 1 Theme) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With This Is The Police (Act 1 Theme) by Ben Matthews having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rhododendron | Trigg & Gusset | F Minor | 2 | 4A | 90 BPM | ||
| Some People Call Me Sam | Martin Landström | D Major | 6 | 10B | 156 BPM | ||
| Our Children Taken (From "the Legend of Zelda: Twilight Princess") | 8-bit & The Single Players | A♭ Major | 3 | 4B | 99 BPM | ||
| Tit For Tat Nocturne | Terence Blanchard, Kenny Barron, Ravi Coltrane, Carl Allen, David Pulphus | G Minor | 3 | 6A | 99 BPM | ||
| Cardium | Trigg & Gusset | E♭ Minor | 3 | 2A | 75 BPM | ||
| Devil Heart, Pt. 2 | André Charlier, Daniel Diaz | B Minor | 4 | 10A | 121 BPM | ||
| Zygomatic Bones for Days | Manet | B♭ Minor | 0 | 3A | 83 BPM | ||
| Thinking of you | SOIL & “PIMP” SESSIONS | F Minor | 0 | 4A | 69 BPM | ||
| Evening Walk | autoisolation | A Minor | 1 | 8A | 90 BPM | ||
| Nights In Amber | Aging | C Minor | 2 | 5A | 63 BPM | ||
| Broken Bolivia | Alain Johannes | A Minor | 0 | 8A | 128 BPM | ||
| Left Foot Trapped in a Sensual Seduction - Piano Version | Anast Agakides | D♭ Minor | 7 | 12A | 204 BPM | ||
| Safe and Sound | Sabrielle Christie | C Minor | 5 | 5A | 140 BPM | ||
| Clarinet Sugar | Bob Barnard and Friends | E♭ Major | 4 | 5B | 129 BPM | ||
| Black Is The Color | Tsuyoshi Yamamoto, Tsuyoshi Yamamoto Trio | A♭ Major | 2 | 4B | 108 BPM | ||
| Blue Room (Kz-Version) | Tunç Çakır, LudoWic | F Minor | 5 | 4A | 130 BPM | ||
| Cops On Your Tale | Paul Pritchard | F Minor | 3 | 4A | 129 BPM | ||
| Kohilo | Trigg & Gusset | D♭ Major | 2 | 3B | 175 BPM | ||
| Suburb | Douglas Holmquist | E Minor | 2 | 9A | 137 BPM | ||
| Take Five - Instrumental | Takeshi Inomata | D♭ Major | 7 | 3B | 114 BPM | ||
| Maximum Black | Bohren & Der Club Of Gore | A♭ Minor | 2 | 1A | 92 BPM | ||
| Say It Is So | Magnus Ringblom Quartet | C Minor | 1 | 5A | 85 BPM | ||
| Covert Affair | Kevin MacLeod | E Minor | 1 | 9A | 68 BPM | ||
| Pride of the Job, Pt. 2 | Andrew Hale, Simon Hale | G Minor | 10 | 6A | 125 BPM | ||
| Respite | Danny Baranowsky | C Minor | 0 | 5A | 88 BPM |