Diana Panton's 'The Telephone Song' had a release date set for 2011. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "To Brazil With Love". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Canada. In terms of popularity, The Telephone Song is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Telephone Song by Diana Panton having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Isn’t Love for the First Time | Alice Black | A Minor | 4 | 8A | 146 BPM | ||
| Raindrops Keep Falling on My Head | Emilie-Claire Barlow | D♭ Major | 3 | 3B | 133 BPM | ||
| Waltz For Debby | Asa Orbison | F♯ Major | 3 | 2B | 99 BPM | ||
| Hope Is Standing on the Hill | Timeless Tone | A♭ Major | 1 | 4B | 126 BPM | ||
| Shentan | Mariam Galogre | A♭ Major | 1 | 4B | 126 BPM | ||
| This Will Make You Laugh | Diana Panton | B♭ Major | 1 | 6B | 104 BPM | ||
| Alone Together | Lara Louise, Grant Levin | B Minor | 6 | 10A | 85 BPM | ||
| What a Little Moonlight Can Do | Sinne Eeg | D♭ Minor | 4 | 12A | 116 BPM | ||
| Every Day Is Valentine's | Johanna Jones | A♭ Major | 1 | 4B | 126 BPM | ||
| I'm Doin' Fine | Kyle Cox | D♭ Major | 4 | 3B | 98 BPM | ||
| Webster | Eva sur Seine | E♭ Major | 4 | 5B | 202 BPM | ||
| You Hit the Spot | Laura Anglade | B♭ Minor | 1 | 3A | 134 BPM | ||
| Love | Susannah McCorkle | B Minor | 3 | 10A | 148 BPM | ||
| ユード・ビー・ソー・ナイス・トゥ・カム・ホーム・トゥ | Keiko Lee | B♭ Major | 4 | 6B | 103 BPM | ||
| Moondance | Ann Hampton Callaway, Liz Callaway | D♭ Major | 4 | 3B | 61 BPM | ||
| Both Sides Now | Diana Panton | F Major | 1 | 7B | 71 BPM | ||
| Some Kind of Sunday | Amanda Ginsburg, Andy Fite | A♭ Major | 1 | 4B | 126 BPM | ||
| I Could Be The One | Ladies & Gents | A♭ Major | 1 | 4B | 126 BPM | ||
| Some Day My Price Will Come | Lyambiko | B♭ Major | 2 | 6B | 78 BPM | ||
| He Isn't You | Erin Boheme | B Major | 4 | 1B | 112 BPM | ||
| Miss Celie's Blues | Lyambiko | G Major | 2 | 9B | 74 BPM | ||
| Do Nothing Till You Hear From Me | Silje Nergaard | E♭ Minor | 3 | 2A | 89 BPM | ||
| All or Nothing at All | Maria Kim | C Major | 4 | 8B | 95 BPM | ||
| One More Try | Erin Boheme | G Major | 4 | 9B | 115 BPM | ||
| La Vie En Rose | Cyrille Aimée & Diego Figueiredo | F Major | 1 | 7B | 84 BPM |