"Considering Matthew Shepard, Passion: No. 5, The Fence (Before)" by Craig Hella Johnson, Lesléa Newman, Conspirare had its release date on September 9, 2016. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Considering Matthew Shepard, Passion: No. 5, The Fence (Before)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 5 out of 33. On top of that, United States appears to be the country where this track was created. Based on our statistics, Considering Matthew Shepard, Passion: No. 5, The Fence (Before)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Considering Matthew Shepard, Passion: No. 5, The Fence (Before) by Craig Hella Johnson, Lesléa Newman, Conspirare to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'll Never Walk Alone | Renée Fleming | C Major | 2 | 8B | 79 BPM | ||
| The Little Creek | All-Virginia Middle School Mixed Choir | D Major | 1 | 10B | 125 BPM | ||
| Shule Aroon - arr. Ruth Elaine Schram | The Australian Children's Choir | E Minor | 3 | 9A | 118 BPM | ||
| Stars | Ēriks Ešenvalds, Sara Teasdale, Voces8 | D Major | 1 | 10B | 64 BPM | ||
| The Great Comet of 1812 | Josh Groban, Original Broadway Company of Natasha, Pierre and the Great Comet of 1812 | D Major | 2 | 10B | 69 BPM | ||
| Finishing The Hat | Mandy Patinkin | F♯ Major | 2 | 2B | 100 BPM | ||
| Turlutte Acadienne Montréalaise | Marie-Claire Saindon, Choeur Adleisia, Amelia McMahon, Virginie Pacheco | D Minor | 2 | 7A | 100 BPM | ||
| Twelfth night, Op. 42, No. 1 | Samuel Barber, Conspirare, Craig Hella Johnson | E Major | 0 | 12B | 135 BPM | ||
| Considering Matthew Shepard, Passion: No. 8, Recitation III | Craig Hella Johnson, Conspirare, Melissa Givens | E♭ Minor | 1 | 2A | 91 BPM | ||
| Lineage | Andrea Ramsey, Mirabai, Sandra Snow | A Minor | 2 | 8A | 173 BPM | ||
| Requiem in the Light: I. Lacrimosa for the Murdered | Mark Buller, Patrice Calixte, Mariama Alcântara, Bruce Williams, Douglas Harvey, Jessica Valls, Conspirare, Craig Hella Johnson | E Minor | 1 | 9A | 148 BPM | ||
| When I Survey the Wondrous Cross | Harmonious Chorale Ghana | F♯ Major | 2 | 2B | 118 BPM | ||
| Twilight on King's Cross Bridge | Ekofola | E Major | 4 | 12B | 138 BPM | ||
| Caro mio ben | Emiliano Géant | C Major | 1 | 8B | 171 BPM | ||
| The Dawn's Early Light: No. 6, I Shall Be Beautiful | Kile Smith, Conspirare, Douglas Harvey, Los Angeles Guitar Quartet, Craig Hella Johnson | A Minor | 0 | 8A | 82 BPM | ||
| The Lovers, Op. 43 (Arr. Kyr): III. In the hot depth of this summer | Samuel Barber, Conspirare, Conspirare Chamber Orchestra, Craig Hella Johnson | F♯ Minor | 0 | 11A | 77 BPM | ||
| Ain't Got Time to Die | The Concordia Choir | G Minor | 2 | 6A | 80 BPM | ||
| Truth | Andrea Ramsey, Mirabai, Sandra Snow | A Minor | 1 | 8A | 105 BPM | ||
| Earth Song | Frank Ticheli, Pacific Chorale, John Alexander | F Major | 1 | 7B | 62 BPM | ||
| In Meeting We Are Blessed | Milford High School Concert Choir, Milford High School Chamber Singers | G Minor | 7 | 6A | 120 BPM | ||
| Considering Matthew Shepard, Epilogue: No. 30, Meet Me Here | Craig Hella Johnson, Conspirare | C Major | 0 | 8B | 81 BPM | ||
| The Hymn of Acxiom | Vienna Teng | D♭ Major | 1 | 3B | 86 BPM | ||
| A Mirage | Spark, Wallis Bird | C Major | 3 | 8B | 132 BPM | ||
| Triptych: No. 1, Musicks Empire (Live) | University of North Texas A Cappella Choir, Jerry McCoy, North Texas Chamber Choir | F Minor | 4 | 4A | 85 BPM | ||
| Three Madrigals: III. Sigh no more, ladies, sigh no more! | Emma Lou Diemer, Ames Chamber Artists | A♭ Minor | 0 | 1A | 85 BPM |