Peter Salem's ' "Biking" was released on its scheduled release date, 2012. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 51 in Call the Midwife (Music from the TV Series) by Various Artists. Based on our statistics, Biking's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Biking by Peter Salem is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Time Moves On | Craig Armstrong | A Major | 2 | 11B | 75 BPM | ||
| Eshkeri: Prologue (Through The Wall) | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Major | 3 | 10B | 70 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Trooping With Crows | Abel Korzeniowski | F Minor | 1 | 4A | 155 BPM | ||
| Blue Shoes | Ruth Barrett | G Major | 3 | 9B | 136 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Forgotten Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 135 BPM | ||
| Gifted | Rob Simonsen | A Major | 1 | 11B | 120 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| Tea Party | Tom Howe | F Minor | 4 | 4A | 135 BPM | ||
| Elopement | The Chamber Orchestra Of London | A Minor | 3 | 8A | 86 BPM | ||
| Waiting at the Station | Peter Breiner, Don Gillis | G Major | 1 | 9B | 71 BPM | ||
| The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Front Titles (Inkheart) | Javier Navarrete | B Minor | 1 | 10A | 66 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| Enola Holmes (The Future Is Up To Us) | Daniel Pemberton | C Major | 5 | 8B | 77 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Going To Be ... Wonderful | Ruth Barrett, Jon Wygens | A Major | 3 | 11B | 76 BPM | ||
| From Small Beginnings | Paul Reeves | D Major | 2 | 10B | 130 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Cliff Tops | Samuel Sim | F Major | 2 | 7B | 127 BPM |