Nothing Can Come Between Us
Phillip Doc Martin
Realization
4:31 August 22, 2009
BPM
93
Key
D♭ Major
Camelot
3B

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Nothing Can Come Between Us by Phillip Doc Martin Song Details

Phillip Doc Martin's ' "Nothing Can Come Between Us" was released on its scheduled release date, August 22, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Realization". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Nothing Can Come Between Us is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Nothing Can Come Between Us by Phillip Doc Martin having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-6.918 dB
Acousticness
44%
Danceability
70%
Energy
56%
Instrumentalness
19%
Liveness
3%
Loudness
88%
Speechiness
4%
Valence
63%

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ISRC
USCGH1630272
Label
L-M Records/RCA Records