Cello Concerto in C Major, G. 481: II. Adagio by Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead Song Details

"Cello Concerto in C Major, G. 481: II. Adagio" by Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead had its release date on December 31, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 12 in Boccherini: Cello Concertos Nos. 4, 6-8 by Luigi Boccherini, Tim Hugh, Anthony Halstead, Scottish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Cello Concerto in C Major, G. 481: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Cello Concerto in C Major, G. 481: II. Adagio by Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 13%
Loudness: -34.008 dB
Acousticness: 93%
Danceability: 15%
Energy: 1%
Instrumentalness: 12%
Liveness: 11%
Loudness: 43%
Speechiness: 4%
Valence: 13%

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