Johann Strauss II, André Rieu, Johann Strauss Orchestra's ' "Unter Donner und Blitz, Op. 324" was released on its scheduled release date, January 1, 1994. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Unter Donner und Blitz, Op. 324's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Strauss & Co". In this album, this song's track order is #3. In terms of popularity, Unter Donner und Blitz, Op. 324 is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Unter Donner und Blitz, Op. 324 by Johann Strauss II, André Rieu, Johann Strauss Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Faust: Faust: Romance | Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | F♯ Minor | 2 | 11A | 184 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| Soirées musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
| Tik-Tak, Op. 365: Tik-Tak Polka, Op. 365 | Johann Strauss II, Hungarian State Orchestra, Janos Ferencsik | B♭ Major | 3 | 6B | 101 BPM | ||
| The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
| Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
| Geschichten Aus Dem Wienerwald (Tales From The Vienna Woods), Op. 325 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 0 | 6B | 181 BPM | ||
| Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | ||
| Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
| Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
| Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
| Eljen a Magyar, Polka, Op. 332 | Johann Strauss II, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | E Minor | 4 | 9A | 165 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
| Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 2 | 10B | 82 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
| Frist Trasch Polka | George Henkla | A Major | 5 | 11B | 81 BPM | ||
| Klipp-Klapp, Galopp, Op. 466 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | F Major | 3 | 7B | 156 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM |