"From Vienna with Love" by Janis Siegel had its release date on 1987. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in At Home by Janis Siegel. Based on our statistics, From Vienna with Love's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From Vienna with Love by Janis Siegel is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Comes Love | Vanessa Rubin | B♭ Major | 3 | 6B | 79 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM | ||
| Starlight Starbright | Eugenie Jones | D Minor | 3 | 7A | 69 BPM | ||
| Come Over Here and Treat Me Right | Louise Balkwill | B♭ Major | 2 | 6B | 143 BPM | ||
| Sea of Lies | Malene Mortensen | A♭ Major | 2 | 4B | 120 BPM | ||
| One Day In St. Tropez | Michael Franks | A Major | 5 | 11B | 100 BPM | ||
| Are You Alright | John Di Martino, Janis Siegel | D♭ Major | 4 | 3B | 120 BPM | ||
| The Samba Calls | Soesja Citroen, Berend van den Berg, Ruud Ouwehand | D Minor | 2 | 7A | 93 BPM | ||
| Star Eyes | Lyambiko | C Major | 4 | 8B | 136 BPM | ||
| Too Much in Love to Care | Claire Martin, Kenny Barron | A Major | 5 | 11B | 147 BPM | ||
| Too Darn Hot | Janis Siegel, Fred Hersch, Drew Gress, Victor Lewis, Matt Wilson | B♭ Major | 2 | 6B | 143 BPM | ||
| You Only Live Twice | Sarah McKenzie | F Major | 2 | 7B | 88 BPM | ||
| Key in the sun | scoth | B♭ Major | 2 | 6B | 143 BPM | ||
| Fly Me to the Moon | Malene Mortensen | G Major | 1 | 9B | 73 BPM | ||
| Fame Adjacent | Mark Winkler | G Minor | 3 | 6A | 109 BPM | ||
| City Love | Malene Mortensen | A Minor | 2 | 8A | 143 BPM | ||
| I'll Be Seeing You | Sammy Fain, Erich Kunzel, Cincinnati Pops Orchestra, Janis Siegel | A♭ Major | 1 | 4B | 80 BPM | ||
| The Way You Look Tonight | Clare Teal, Alan Barnes, John Day, Martin Litton, Nils Solberg, Rod Brown | A♭ Major | 5 | 4B | 98 BPM | ||
| In The Name Of Love | Sarah McKenzie | B♭ Minor | 5 | 3A | 103 BPM | ||
| When In Rome | Sarah McKenzie | F Major | 3 | 7B | 123 BPM | ||
| Stardust on Wet Pavement | The Half Light Ensemble | B♭ Minor | 3 | 3A | 119 BPM | ||
| Lucky Us | Hope Newman Kemp | C Major | 2 | 8B | 82 BPM | ||
| Night and Day | April Varner | B♭ Major | 2 | 6B | 143 BPM | ||
| Hidden Place | Janis Siegel | D♭ Major | 4 | 3B | 143 BPM | ||
| In Between Moments | Fredo Kopi | C Major | 1 | 8B | 93 BPM |