Pravinbhai Raval's ' "Raja Vir Vikramnu Balidan" was released on its scheduled release date, November 29, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Raja Vir Vikramnu Balidan only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Raja Vir Vikramnu Balidan is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Raja Vir Vikramnu Balidan by Pravinbhai Raval having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| val Val Mari Vela Re Val | Jayesh Kharvada | B Minor | 7 | 10A | 104 BPM | ||
| Mankho Janm Sudharo | Shyam Paliwal | A♭ Major | 6 | 4B | 73 BPM | ||
| Jai Ho Jai Ho Tumhari Bajrangbali | Kanhaiya Mittal | F♯ Minor | 4 | 11A | 138 BPM | ||
| Tara Ne Mara Lagan Na Thaya | Rajni Dabhi | E Minor | 8 | 9A | 142 BPM | ||
| Van Ma Mahadev No Chelo | Birju Barot | A♭ Major | 9 | 4B | 172 BPM | ||
| Aayo Chu Tara Charne Jognima | Jignesh Barot, Kajal Maheriya, Jinal Goswami | D♭ Major | 5 | 3B | 142 BPM | ||
| Aabh Thi Tutyo Taro | Kajal Maheriya | A♭ Major | 8 | 4B | 139 BPM | ||
| Bahucharma Vagta Dhole Aavya | Jignesh Barot, Kajal Maheriya | A♭ Major | 9 | 4B | 93 BPM | ||
| Lila Pila Tara Neja Farake | Hitesh Prajapati | C Major | 9 | 8B | 188 BPM | ||
| Meldi Na Aave Te Di Aathmano Di Uge | Rinku Bharwad | E Major | 9 | 12B | 111 BPM | ||
| Chokari Pate Gai Mari Style Ma | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Mangu Monti Nathi | Jashvant Rathva | B♭ Minor | 8 | 3A | 116 BPM | ||
| Bhadariya Maiyya Gavu | Shyam Paliwal | F♯ Major | 9 | 2B | 140 BPM | ||
| Meldi Vina No Hariyo Rove (Full Version) | JK Timba | A♭ Major | 4 | 4B | 89 BPM | ||
| Aarti Om Jay Jagdish Hare | prakashdasswamiofficial | A♭ Major | 9 | 4B | 89 BPM | ||
| Sharat | gaman santhal, Sagar Koteshwar, Dharmesh Savli | G Major | 7 | 9B | 135 BPM | ||
| Kasumbi No Rang | Mayabhai Ahir | E♭ Minor | 8 | 2A | 122 BPM | ||
| Lagan Geet | Mayabhai Ahir | D♭ Minor | 6 | 12A | 158 BPM | ||
| Hum Omkarji Nhavn Jawanga Mai Reva M Dubki Lagawanga | Nimadi Maa Narmada Bhajan | Ashwin Yadav | B♭ Minor | 9 | 3A | 157 BPM | ||
| Jatvada Ni Jabli - Original | Maniraj Barot, NA | F Minor | 5 | 4A | 165 BPM | ||
| Romsa Ni Aayi Bij | J K Timba | C Minor | 5 | 5A | 136 BPM | ||
| Mane Malva Aavsho Ke Nahi | Rajni Dabhi | G Major | 7 | 9B | 135 BPM | ||
| Darshan Se Pap Harile Tharo Pani Devi Narbada Mata Ho | Ashwin Yadav | D♭ Minor | 8 | 12A | 83 BPM | ||
| Navdurga Ni Navali Navarat | Manisha Bharwad | B♭ Major | 9 | 6B | 90 BPM | ||
| Kedi Katari | Gopal Sadhu | E Minor | 9 | 9A | 92 BPM |