The Rite of Spring (1913 Version): The Sacrifice, Part II: The Summoning of the Ancients by Igor Stravinsky, Leonard Bernstein, New York Philharmonic Song Details

"The Rite of Spring (1913 Version): The Sacrifice, Part II: The Summoning of the Ancients" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic had its release date on 1947. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Rite of Spring (1913 Version): The Sacrifice, Part II: The Summoning of the Ancients is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of The Rite of Spring (1913 Version): The Sacrifice, Part II: The Summoning of the Ancients by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Music Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.022 dB
Acousticness: 94%
Danceability: 50%
Energy: 15%
Instrumentalness: 91%
Liveness: 20%
Loudness: 70%
Speechiness: 8%
Valence: 3%

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