"啄木短歌集, はずれまで" by 高田三郎, 石川啄木, 柳兼子, 小林道夫 had its release date on 1975. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 現代日本歌曲選集, so we believe that "啄木短歌集, はずれまで" is a single. 啄木短歌集, はずれまで is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 啄木短歌集, はずれまで by 高田三郎, 石川啄木, 柳兼子, 小林道夫 is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater, FP 148: X. Fac ut portem Christi mortem | Francis Poulenc, Carolyn Sampson, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | D♭ Minor | 1 | 12A | 81 BPM | ||
| Requiem for the Living: III. Agnus dei | Dan Forrest, Anna Ogińska, Wiktoria Zawistowska, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | E♭ Major | 2 | 5B | 106 BPM | ||
| Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A♭ Major | 0 | 4B | 82 BPM | ||
| 啄木短歌集, 頬につたう | 高田三郎, 石川啄木, 柳兼子, 小林道夫 | D♭ Minor | 0 | 12A | 69 BPM | ||
| Sept chansons pour Gladys, Op. 151: No. 1, M'a dit Amour | Charles Koechlin, Julie Roset, Susan Manoff | A Minor | 1 | 8A | 100 BPM | ||
| Barber: 3 Songs, Op. 10: No. 2, Sleep Now | Samuel Barber, Jennifer Larmore, Antoine Palloc | F♯ Major | 1 | 2B | 82 BPM | ||
| Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
| Dvořák: Songs My Mother Taught Me (From Gypsy Melodies, Op. 55, B. 104) | Sumi Jo, PKF – Prague Philharmonia, Ondrej Lenard | D Major | 3 | 10B | 111 BPM | ||
| 茉莉花 - 大提琴曲 | 马新桦, 冯丹 | A Minor | 1 | 8A | 95 BPM | ||
| Schumann: Kinderszenen, Op. 15: VII. Träumerei (Arr. Trinkaus for Cello & Piano) | Robert Schumann, Taeguk Mun, Chi Ho Han | F Major | 0 | 7B | 170 BPM | ||
| 風林火山 ~生きる~ | Akira Senju, マリオ・クレメンツ, ワルシャワ・フィルハーモニー管弦楽団 | F♯ Minor | 1 | 11A | 93 BPM | ||
| Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | ||
| Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
| Nuovo Cinema Paradiso - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Ennio Morricone, アンドレア・モリコーネ, 石田組 | B♭ Major | 2 | 6B | 68 BPM | ||
| シチリアーノ | George Frideric Handel, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 0 | 9A | 75 BPM | ||
| Chansons pour les oiseaux: No. 4, Le petit serin en cage | Louis Beydts, Julie Roset, Susan Manoff | A♭ Major | 0 | 4B | 82 BPM | ||
| 愛を奏でて<海の上のピアニスト> | 及川浩治 | B♭ Major | 1 | 6B | 70 BPM | ||
| Zingarelli: Salve Regina: V. O clemens, o pia | Niccolò Antonio Zingarelli, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra, NFM Choir | B♭ Major | 1 | 6B | 120 BPM | ||
| Kuchinashi | 高田三郎, Manami Suzuki, Shigeto Yamagishi | G Major | 3 | 9B | 132 BPM | ||
| Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | ||
| Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
| Don Giovanni, K. 527, Act I: Batti, batti, o bel Masetto | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 84 BPM |