"The Road" by Bryan John Appleby had its release date on July 30, 2011. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The song is number 11 out of 11 in Fire on the Vine by Bryan John Appleby. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The Road is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Road by Bryan John Appleby is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Mind | Alexi Murdoch | B Major | 3 | 1B | 117 BPM | ||
| Cocoon | Stu Larsen | A Minor | 3 | 8A | 136 BPM | ||
| I See You | Jon Middleton | F Major | 2 | 7B | 140 BPM | ||
| Re: Stacks | Bon Iver | D Major | 1 | 10B | 125 BPM | ||
| From The Lake To The Land | Foreign Fields | B♭ Major | 1 | 6B | 102 BPM | ||
| Holocene | Bon Iver | D♭ Major | 3 | 3B | 148 BPM | ||
| In the Morning | Keaton Henson | D Major | 2 | 10B | 73 BPM | ||
| The Face | Bryan John Appleby | G Minor | 5 | 6A | 80 BPM | ||
| Shield Your Eyes - Acoustic | Dry the River | B♭ Major | 4 | 6B | 112 BPM | ||
| All Out | Anna Scouten | F Major | 3 | 7B | 140 BPM | ||
| Backseat | Bryan John Appleby | E Major | 3 | 12B | 145 BPM | ||
| You'll Never Go | Wake Owl | B Minor | 2 | 10A | 84 BPM | ||
| In the Stream | S. Carey | E♭ Major | 2 | 5B | 129 BPM | ||
| Tides | Hey Marseilles | A Major | 3 | 11B | 180 BPM | ||
| Autumn Tree | Milo Greene | A♭ Minor | 2 | 1A | 82 BPM | ||
| Full Moon Rising | Neil Halstead | C Major | 3 | 8B | 74 BPM | ||
| White Daisy Passing | Rocky Votolato | F Major | 1 | 7B | 117 BPM | ||
| Boardwalks - Remastered 2015/ Bonus Track | Little May | F♯ Major | 4 | 2B | 129 BPM | ||
| Dark Autumn Hour | Frontier Ruckus | C Minor | 4 | 5A | 144 BPM | ||
| Metaphors | Keaton Henson | A♭ Major | 3 | 4B | 104 BPM | ||
| Dreaming of Relief | Chris and Thomas | B Major | 2 | 1B | 112 BPM | ||
| The Rider. The Horse. The Land. | Bryan John Appleby | G Major | 7 | 9B | 123 BPM | ||
| The Worth Of The Wait | Ivan & Alyosha | D Major | 6 | 10B | 82 BPM | ||
| The Colored Night | Blind Pilot | G Major | 4 | 9B | 102 BPM | ||
| Shallows | Boats | D Major | 9 | 10B | 161 BPM |