大谷和夫's ' "NANCY, KAORI & SHUNSAKU〔工藤のテーマホンキートンク〕" was released on its scheduled release date, November 28, 2012. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. NANCY, KAORI & SHUNSAKU〔工藤のテーマホンキートンク〕's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 伝説のアクションドラマ音楽全集「探偵物語MUSIC FILE -Digest Edition-」, so we believe that "NANCY, KAORI & SHUNSAKU〔工藤のテーマホンキートンク〕" is a single. The popularity of NANCY, KAORI & SHUNSAKU〔工藤のテーマホンキートンク〕 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of NANCY, KAORI & SHUNSAKU〔工藤のテーマホンキートンク〕 by 大谷和夫 is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ぼくのネクタイ | Naoya Matsuoka | D Minor | 6 | 7A | 75 BPM | ||
| A Real Story | A Jazz Story | A Minor | 6 | 8A | 72 BPM | ||
| 蛍の光 | RYUSENKEI | A Major | 7 | 11B | 78 BPM | ||
| After Six Pm | paris match | E Minor | 7 | 9A | 156 BPM | ||
| 逢いたいね | 渡 哲也 | B Minor | 4 | 10A | 139 BPM | ||
| ブラインドタッチの織姫 - instrumental | KIRINJI | E Minor | 9 | 9A | 100 BPM | ||
| 風はそよかぜ | シモンズ | G Minor | 4 | 6A | 100 BPM | ||
| コスモポリタン | Senri Oe | C Major | 10 | 8B | 174 BPM | ||
| 夢で逢えたら -original backing track- | Rats & Star | F Major | 6 | 7B | 117 BPM | ||
| So Fine - Instrumental | Hiroshi Tachi | F Minor | 9 | 4A | 130 BPM | ||
| 青春 II | Chiharu Matsuyama | A Major | 3 | 11B | 136 BPM | ||
| 夢をおいかけて〜薫のテーマ | Yukie Nishimura | B Minor | 1 | 10A | 63 BPM | ||
| End of the winter(overture) | Yuko Imai | B♭ Minor | 9 | 3A | 95 BPM | ||
| SCRAMBLE AVENUE | MALTA | C Major | 4 | 8B | 113 BPM | ||
| 失恋するための500のマニュアル - 2022 Remaster | Carlos Toshiki And Omega Tribe | E Minor | 8 | 9A | 89 BPM | ||
| 風のPAVEMENT | 米光 美保 | D♭ Major | 8 | 3B | 110 BPM | ||
| Seven Miles Bridge | Yuji Toriyama | D Major | 8 | 10B | 92 BPM | ||
| Home Song | Gontiti | A Major | 5 | 11B | 114 BPM | ||
| SUSPENCE & CRISIS[M-18] | 大谷和夫 | D♭ Major | 0 | 3B | 99 BPM | ||
| Espressoでお別れ | Machiko Watanabe | A Minor | 5 | 8A | 133 BPM | ||
| Departure | Tomita Lab. | D Major | 1 | 10B | 183 BPM | ||
| M-3(暴れん坊将軍) | 東映傑作シリーズ | C Minor | 2 | 5A | 97 BPM | ||
| WE'LL NEVER HAVE A TROUBLE | T-SQUARE | B♭ Major | 6 | 6B | 131 BPM | ||
| So In Love | Cole Porter, Morton Gould | D♭ Major | 2 | 3B | 83 BPM | ||
| パジャマのままで | 太田貴子 | A Major | 1 | 11B | 139 BPM |