"Should I Feel That It's Over" by Alison Moyet had its release date on October 2, 2015. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alison Moyet's "Hometime (Re-Issue – Deluxe Edition)" album is number 2 out of 23. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Should I Feel That It's Over is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Should I Feel That It's Over by Alison Moyet to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme From "Mantrap" | ABC | E Minor | 4 | 9A | 82 BPM | ||
| Tomorrow Started - 1997 Remaster | Talk Talk | C Minor | 6 | 5A | 129 BPM | ||
| Just For You | M People | G Major | 7 | 9B | 98 BPM | ||
| Bad Thing Longing | Hipsway | E Minor | 6 | 9A | 120 BPM | ||
| Maximum Joy | Frankie Goes To Hollywood | F Major | 6 | 7B | 125 BPM | ||
| Someone To Somebody | Feargal Sharkey | E Major | 7 | 12B | 80 BPM | ||
| Strange Kind Of Love | Love & Money | B Minor | 5 | 10A | 111 BPM | ||
| Tomorrow Is Another Night | Black | E Minor | 6 | 9A | 160 BPM | ||
| It's All Over Now | Feargal Sharkey | D Major | 8 | 10B | 191 BPM | ||
| I Can Drive - Remastered | Shakespears Sister | F Major | 9 | 7B | 162 BPM | ||
| Natalie (feat. Nigel Kennedy) | Stephen Duffy, Nigel Kennedy | E♭ Minor | 6 | 2A | 127 BPM | ||
| (I'll Never Be) Your Maggie May | Suzanne Vega | A Major | 5 | 11B | 87 BPM | ||
| Slave To The Rhythm - 7" Edit | Grace Jones | D♭ Major | 6 | 3B | 97 BPM | ||
| Witness for the World | Cry Before Dawn | G Major | 6 | 9B | 92 BPM | ||
| If Only | Hazel O'Connor | D Major | 2 | 10B | 122 BPM | ||
| Girl in the Ghetto | Cry Before Dawn | C Major | 5 | 8B | 192 BPM | ||
| California Here I Come | Sophie B. Hawkins | B Minor | 7 | 10A | 97 BPM | ||
| Magic Smile | Rosie Vela | G Major | 7 | 9B | 116 BPM | ||
| Louise | The Human League | D Major | 2 | 10B | 98 BPM | ||
| Don't Ask Me to Choose | Fine Young Cannibals | D♭ Minor | 9 | 12A | 125 BPM | ||
| All The Queen's Horses | Shakespears Sister | E Minor | 7 | 9A | 140 BPM | ||
| God On My Side | World Party | E Major | 4 | 12B | 164 BPM | ||
| Money Mile | Alison Moyet | A Minor | 6 | 8A | 150 BPM | ||
| I Don't Believe in You - 1997 Remaster | Talk Talk | B Minor | 4 | 10A | 86 BPM | ||
| Stay With Me Till Dawn | Judie Tzuke | D Minor | 3 | 7A | 128 BPM |