On May 20, 2024, the song "Left At The Table" was released by Patrick Holland. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Patrick Holland's "Left At The Table" album is number 1 out of 3. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Left At The Table's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Left At The Table by Patrick Holland to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Living Room | Peel Dream Magazine | E♭ Major | 4 | 5B | 118 BPM | ||
| Call It Love - Edit | Nilüfer Yanya | B Minor | 3 | 10A | 175 BPM | ||
| Swarm | Ebbb | C Major | 7 | 8B | 123 BPM | ||
| Night or Day | Chris Cohen | E Minor | 4 | 9A | 98 BPM | ||
| Minus World | Dummy | D♭ Major | 9 | 3B | 155 BPM | ||
| motorway | Goat Girl | F♯ Minor | 5 | 11A | 100 BPM | ||
| Staying here | Astrid Sonne | G Major | 1 | 9B | 90 BPM | ||
| Entombed In Ice | Avalon Emerson | D Major | 6 | 10B | 112 BPM | ||
| I Dunno the Meaning | Gerry Read | C Minor | 8 | 5A | 126 BPM | ||
| Deep Scene | Skeleten | F Minor | 7 | 4A | 117 BPM | ||
| Leave | Sofie Royer, Speckman | F♯ Major | 6 | 2B | 136 BPM | ||
| Just Like Air | Mary Jane Dunphe | C Major | 9 | 8B | 96 BPM | ||
| Subtle Knife | Boxed In | G Minor | 3 | 6A | 157 BPM | ||
| 100% enthusiastic | great area | D Major | 2 | 10B | 133 BPM | ||
| I Think About You | Heiko Voss | C Major | 4 | 8B | 114 BPM | ||
| Slight Fade | Moses Gunn Collective | D Minor | 7 | 7A | 120 BPM | ||
| Mondo Cane | HighSchool | B Major | 6 | 1B | 174 BPM | ||
| Fall Apart | Discovery Zone | C Major | 6 | 8B | 80 BPM | ||
| Regional Trains_Demo | orbit, aiden gore | A Major | 3 | 11B | 107 BPM | ||
| Nine Clean Nails | Dummy | A♭ Major | 7 | 4B | 160 BPM | ||
| Weight Falls | Patrick Holland | E Minor | 2 | 9A | 210 BPM | ||
| Human Nature | Desire | E Minor | 9 | 9A | 120 BPM | ||
| FoYoC | Bullion | A♭ Major | 6 | 4B | 98 BPM | ||
| Love On The Ground | Faux Real | D Minor | 9 | 7A | 116 BPM | ||
| Make It Real | Tryphème | F♯ Minor | 7 | 11A | 140 BPM |