"Holy Flame" by Arkadiusz Reikowski had its release date on May 28, 2019. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Arkadiusz Reikowski's "Layers of Fear 2 (Original Game Soundtrack)" album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Holy Flame is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holy Flame by Arkadiusz Reikowski to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Monsters Within | Peter Gundry | D♭ Minor | 2 | 12A | 95 BPM | ||
| Cyclop | Arkadiusz Reikowski | G Minor | 7 | 6A | 140 BPM | ||
| Vanished | Mayumi Masuya, Sounds M | E Minor | 2 | 9A | 138 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| And The Avarice | Rising Shadows | A Major | 2 | 11B | 74 BPM | ||
| Bloodhunt Main Theme (Classical Version) | Atanas Valkov | G Major | 1 | 9B | 74 BPM | ||
| The Death of a Woman | Rik Schaffer | C Major | 1 | 8B | 88 BPM | ||
| The Enduring Pride | Jason Graves | C Minor | 0 | 5A | 107 BPM | ||
| We Call Upon the Watchman | Mickymar Productions Ltd | F Minor | 5 | 4A | 82 BPM | ||
| Golden Ratio | Jessica Curry | D Minor | 1 | 7A | 137 BPM | ||
| Shadow | David García Díaz | F Minor | 3 | 4A | 124 BPM | ||
| The Churning Seas of London | Austin Wintory, Assassin's Creed | A Minor | 1 | 8A | 123 BPM | ||
| Reach | Eternal Eclipse | E♭ Minor | 5 | 2A | 69 BPM | ||
| To Be Beautiful Is To Be Almost Dead | Abel Korzeniowski | A♭ Major | 0 | 4B | 72 BPM | ||
| The Sigils of Our Name | Damjan Mravunac | E Minor | 1 | 9A | 72 BPM | ||
| Circles | Berlinist | D♭ Major | 0 | 3B | 70 BPM | ||
| The Rampage | Jason Graves | D Major | 2 | 10B | 130 BPM | ||
| Fly on Foot - Kara | Philip Sheppard | B Minor | 6 | 10A | 140 BPM | ||
| Yog-Sothoth | Graham Plowman | D♭ Major | 2 | 3B | 139 BPM | ||
| Come Ruin and Rapture | Desiderii Marginis | B♭ Minor | 3 | 3A | 95 BPM | ||
| Delilah's Theme | Daniel Licht | E♭ Major | 4 | 5B | 85 BPM | ||
| Helheim | David García Díaz, Andy LaPlegua | B♭ Major | 2 | 6B | 100 BPM | ||
| Mirrors | Akira Yamaoka | F♯ Minor | 2 | 11A | 132 BPM | ||
| Attack Under Cover of Darkness | Paul Haslinger | F Minor | 1 | 4A | 133 BPM | ||
| Romance cantabile for theremin, piano and double bass | Kepa Lehtinen | D♭ Minor | 1 | 12A | 144 BPM |