"Forest" by Anna Meredith had its release date on January 19, 2024. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The End We Start From (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Forest is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Forest by Anna Meredith having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soleil Pâle | Hania Rani | A♭ Major | 1 | 4B | 97 BPM | ||
| Frontier | Holly Herndon | F Minor | 6 | 4A | 140 BPM | ||
| Jimmy V | Mary Lattimore | F Minor | 1 | 4A | 79 BPM | ||
| Mikros | Anna Thorvaldsdottir, Gyða Valtýsdóttir | F Major | 2 | 7B | 62 BPM | ||
| Bright Square | Ryan Lott | F Major | 4 | 7B | 99 BPM | ||
| Up Is Good | Arthur Jeffes, Nils Frahm | B♭ Major | 2 | 6B | 119 BPM | ||
| The Cliffs | Chris Roe | D Minor | 2 | 7A | 83 BPM | ||
| Suite Bergamasque: Clair de Lune, No. 3 | Isao Tomita | D♭ Major | 1 | 3B | 76 BPM | ||
| 4T Recordings | Four Tet | A Major | 4 | 11B | 105 BPM | ||
| Invitation to the Voyage | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Sarinbuana | Akusmi | B Minor | 5 | 10A | 90 BPM | ||
| Leaving | Anna Meredith | B Minor | 1 | 10A | 88 BPM | ||
| Lipstick To Void | Mica Levi | D♭ Major | 2 | 3B | 134 BPM | ||
| Solstice In | Ligeti Quartet, Anna Meredith | B♭ Minor | 5 | 3A | 96 BPM | ||
| Forever Chemicals | Clark, Nathaniel Timoney, Kieran Brunt, Henrietta Smith-Rolla, Scoring Berlin, Rakhi Singh | A♭ Minor | 3 | 1A | 63 BPM | ||
| Divine Moments of Truth | Akusmi | B♭ Major | 6 | 6B | 120 BPM | ||
| Green Timbers | Ryan Lott | F Major | 2 | 7B | 171 BPM | ||
| As Light Moves | Jim Perkins | B Minor | 1 | 10A | 76 BPM | ||
| Cycles of 9 | Mark Pritchard | F Minor | 2 | 4A | 136 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Tomato Day | Kelpe | D Minor | 0 | 7A | 71 BPM | ||
| Hollow Earth | Pye Corner Audio | A Minor | 7 | 8A | 106 BPM | ||
| In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM | ||
| Wegzuwünschen | Wim Mertens | A Major | 4 | 11B | 80 BPM | ||
| Only Strings And Their Supports Remain | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | G Minor | 3 | 6A | 80 BPM |