Rudolf Schock's ' "Ich liebe euch, ihr zauberhaften Frau'n" was released on its scheduled release date, February 28, 2023. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Ich liebe euch, ihr zauberhaften Frau'n's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 3". In this album, this song's track order is #18. In terms of popularity, Ich liebe euch, ihr zauberhaften Frau'n is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ich liebe euch, ihr zauberhaften Frau'n by Rudolf Schock having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
| Das Ist Der Tag - The Skaters Waltz | Émile Waldteufel, Helmut Lotti | B♭ Major | 4 | 6B | 95 BPM | ||
| Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Die Zeisserln, Walzer, Op. 114 | Josef Strauss, Christian Pollack, Slovak State Philharmonic Orchestra, Kosice | B♭ Major | 1 | 6B | 176 BPM | ||
| "Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Wiener Staatsopernchor, Vienna Volksoper Orchestra | F Major | 3 | 7B | 80 BPM | ||
| Komm, lieber Mai und mache | Eva Lind | B♭ Major | 3 | 6B | 79 BPM | ||
| Schenkt man sich Rosen in Tirol (From "Der Vogelhändler) | Carl Zeller, Jonas Kaufmann, Ádám Fischer | B♭ Major | 3 | 6B | 82 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D Major | 2 | 10B | 85 BPM | ||
| My Fair Lady: In Der Strasse, Mein Schatz, Wo Du Lebst | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Sonja Ziemann, Diverse Saenger Und Saengerinnen, Friedrich Schoenfelder | C Major | 3 | 8B | 96 BPM | ||
| Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester, Angelika Kirchschlager | D Major | 1 | 10B | 87 BPM | ||
| Hänsel und Gretel, Act II: Der kleine Sandmann bin ich (The Sandman) | Engelbert Humperdinck, Donald Runnicles, Rosemary Joshua, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | ||
| L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
| Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
| Wolgalied | Gunther Emmerlich | C Major | 5 | 8B | 70 BPM | ||
| Dicitencello vuie (Orch. L. Logi) | Rodolfo Falvo, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | B♭ Minor | 1 | 3A | 139 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| Capri-Fischer | Lolita | G Minor | 5 | 6A | 117 BPM | ||
| Arrivederci Roma | Renato Rascel, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Major | 1 | 6B | 85 BPM | ||
| L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |