Peter McConnell's ' "The Censors Unleashed" was released on its scheduled release date, December 10, 2008. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Psychonauts Original Soundtrack". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Based on our statistics, The Censors Unleashed's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Censors Unleashed by Peter McConnell having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Streets and Faces | Borislav Slavov | E Minor | 2 | 9A | 140 BPM | ||
| A Magnificent Vista | Michiel van den Bos | F Major | 8 | 7B | 112 BPM | ||
| A Chill That Infests the Bones | Austin Wintory | C Major | 3 | 8B | 94 BPM | ||
| Wretched Shades | Darren Korb | G Major | 6 | 9B | 153 BPM | ||
| Blind and Angry (Ghorm the Devourer) | Jonathan Geer | A♭ Major | 6 | 4B | 86 BPM | ||
| Midnight Traverse | Stephen Mo | G Minor | 3 | 6A | 160 BPM | ||
| Circling | Joel Schoch | E Minor | 7 | 9A | 168 BPM | ||
| Round | Joel Schoch | D♭ Major | 0 | 3B | 133 BPM | ||
| Razorfern Kraul | Hearthstone, Peter McConnell, Blizzard Entertainment | F Minor | 4 | 4A | 146 BPM | ||
| Rough Sea | Joel Schoch | D♭ Major | 0 | 3B | 133 BPM | ||
| The Queen of Cities | Henning Nugel, Christian Wirtz | F Minor | 4 | 4A | 84 BPM | ||
| Like a Skipping Stone (feat. Sandro Friedrich) | Aakaash Rao, Sandro Friedrich | A Minor | 4 | 8A | 160 BPM | ||
| Infiltration | Thomas Brunet | A♭ Major | 5 | 4B | 152 BPM | ||
| Fledgling Queen | Pete Lepley | C Major | 7 | 8B | 80 BPM | ||
| Journey through the Ancient Sands | David Fenn | A Minor | 4 | 8A | 130 BPM | ||
| March in the Clouds | Peter McConnell | B Minor | 3 | 10A | 120 BPM | ||
| Desert Preparation I | Hyperduck Soundworks | B Minor | 4 | 10A | 90 BPM | ||
| What Lies Beyond Those Hills | Michiel van den Bos | A Minor | 4 | 8A | 104 BPM | ||
| Desperado Desert | Felix Barbarino, Mathilde Hoffmann | G Major | 2 | 9B | 142 BPM | ||
| Manglar Pt. 2 | Nuketan | C Minor | 5 | 5A | 126 BPM | ||
| Go West Young Raccoon | Peter McConnell | F♯ Minor | 1 | 11A | 75 BPM | ||
| Court room | Good Malware | D Minor | 3 | 7A | 145 BPM | ||
| Scrapbook Memories | Michael Z. Land | B♭ Major | 2 | 6B | 81 BPM | ||
| The Chase | Thomas Brunet | G Major | 7 | 9B | 116 BPM | ||
| Labour of Love | Jono Grant, Ben McCullough | C Minor | 2 | 5A | 60 BPM |