"Drop Me Off In Harlem" by Ran Blake had its release date on December 31, 1981. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Drop Me Off In Harlem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Duke Dreams by Ran Blake. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Drop Me Off In Harlem is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Drop Me Off In Harlem by Ran Blake is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Theory | Rainy Days Trio | C Major | 2 | 8B | 115 BPM | ||
| Cullato da Un Mare Di Sonno | Marco Vezzoso | F♯ Minor | 5 | 11A | 202 BPM | ||
| Impro dosh parte 3 | BeastyBass | C Major | 0 | 8B | 77 BPM | ||
| Of All Places | The Keys to the Sub, Albert Beger, Asaf Finkelstein, Adam Ben Ezra | D♭ Major | 1 | 3B | 98 BPM | ||
| Up The Entropy Slope | Jessica Williams, Eddie Henderson | D Minor | 1 | 7A | 111 BPM | ||
| Vertigo/Laura | Enrico Rava, Ran Blake | E Minor | 2 | 9A | 81 BPM | ||
| The Easter Tree | Dominique Eade, Ran Blake | G Minor | 1 | 6A | 65 BPM | ||
| Moonlight in Vermont | Dominique Eade, Ran Blake | B Major | 0 | 1B | 69 BPM | ||
| I'm in the Mood for Love | Yoko Miwa Trio | C Major | 4 | 8B | 205 BPM | ||
| THOSE GUYS | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Dream State | Julian Moonray | C Major | 0 | 8B | 147 BPM | ||
| Morning Heavy Song | Tomasz Stańko, Bobo Stenson, Anders Jormin, Tony Oxley | D♭ Major | 1 | 3B | 136 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| The Sweet Time Suite, Part IV - For P.A. | Kenny Wheeler, Evan Parker, Dave Holland | D Major | 2 | 10B | 103 BPM | ||
| Space Rangers | Jane Ira Bloom, Mark Helias, Bobby Previte | D♭ Minor | 2 | 12A | 150 BPM | ||
| Almost Like Being in Love (Take 2) | Jared Sims, Ran Blake | G Major | 1 | 9B | 92 BPM | ||
| Serenity | Bobo Stenson Trio | A Minor | 0 | 8A | 110 BPM | ||
| Our Father | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 2 | 10B | 109 BPM | ||
| moments unfold | easy evenings | F Minor | 0 | 4A | 135 BPM | ||
| Moon River | Dominique Eade, Ran Blake | E Minor | 1 | 9A | 133 BPM | ||
| The Sweet Time Suite, Part VI - Consolation | Kenny Wheeler, Norma Winstone, Ray Warleigh | F♯ Minor | 1 | 11A | 112 BPM | ||
| The Bet (Interlude) | Matheus Fonseca, Daniel Bitrán Donath, Ran Blake | D♭ Minor | 4 | 12A | 134 BPM | ||
| Gong | Mara et Nana Vasconcelos | C Major | 4 | 8B | 85 BPM | ||
| I Should Care | Enrico Rava, Ran Blake | C Major | 1 | 8B | 95 BPM | ||
| Who Cares | Rebecca Kilgore, Bernd Lhotzky | E♭ Major | 4 | 5B | 120 BPM |