"Zerohour" by Circle of Contempt had its release date on November 23, 2009. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in Artifacts In Motion by Circle of Contempt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Zerohour's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Zerohour by Circle of Contempt is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Is Well and Nothing Can Be Ill | Glass Cloud | D♭ Major | 10 | 3B | 160 BPM | ||
| Soul Is Dead | Glass Cloud | D Major | 10 | 10B | 137 BPM | ||
| The Hell I Was In | Nemertines | G Minor | 9 | 6A | 165 BPM | ||
| After the Sun Sets Pt. II | Ghost Iris | F♯ Minor | 10 | 11A | 180 BPM | ||
| Tamarack | Olympus Lenticular | G Major | 9 | 9B | 110 BPM | ||
| Delusions of Grandeur | Uneven Structure | C Major | 9 | 8B | 134 BPM | ||
| Artifice | Forevermore | F Major | 10 | 7B | 82 BPM | ||
| Foresight | Aerial | C Major | 10 | 8B | 120 BPM | ||
| We Are Infinite | Scenery With Solace | F♯ Major | 9 | 2B | 125 BPM | ||
| Entwine The Threads | Circle of Contempt | D Minor | 9 | 7A | 160 BPM | ||
| The Myth of Happiness - Instrumental | The Dali Thundering Concept | B♭ Minor | 9 | 3A | 128 BPM | ||
| Numbered | Elitist | G Major | 10 | 9B | 92 BPM | ||
| Limbo | QuietKind | B♭ Minor | 10 | 3A | 120 BPM | ||
| Samsara | The Northern | F Minor | 10 | 4A | 148 BPM | ||
| Null Point | Joel Lindfors, Sithu Aye | B♭ Minor | 9 | 3A | 108 BPM | ||
| Sarin - Instrumental | Oceans Ate Alaska | D♭ Major | 7 | 3B | 120 BPM | ||
| The First Contact | Wide Eyes | D♭ Minor | 10 | 12A | 116 BPM | ||
| Latency and Tendencies | Ever Forthright | G Major | 9 | 9B | 145 BPM | ||
| Masks | Stories | A♭ Major | 10 | 4B | 140 BPM | ||
| Mirage | Drewsif, Nikki Simmons | A Minor | 9 | 8A | 120 BPM | ||
| Titan | Wide Eyes | D♭ Minor | 9 | 12A | 160 BPM | ||
| Build your cities on the slopes of Vesuvius! | Miroist | E♭ Minor | 10 | 2A | 150 BPM | ||
| Crusty | Berried Alive | D♭ Major | 10 | 3B | 160 BPM | ||
| Dianoia | Uneven Structure | B♭ Minor | 10 | 3A | 113 BPM | ||
| Europa | Returning We Hear the Larks | D♭ Major | 9 | 3B | 150 BPM |