"FFVII REMAKE: Words Left Unheard" by 植松 伸夫 had its release date on December 23, 2020. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. FFVII REMAKE: Words Left Unheard's duration is considered a little bit shorter than the average duration of a typical track. The song is number 77 out of 106 in FINAL FANTASY VII REMAKE Original Soundtrack (Plus) by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. FFVII REMAKE: Words Left Unheard is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of FFVII REMAKE: Words Left Unheard by 植松 伸夫 is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 「The Dalmasca Estersand」 from FINAL FANTASY XII - original | Hitoshi Sakimoto | G Major | 5 | 9B | 155 BPM | ||
| Apprehension | Yasunori Nishiki | D Major | 7 | 10B | 180 BPM | ||
| Heat of Battle | Inspire | F♯ Major | 4 | 2B | 58 BPM | ||
| Fire and Ice | 石川 大樹 | B Minor | 7 | 10A | 90 BPM | ||
| The Ceaseless Rill | 矢崎 早彩 | F Minor | 3 | 4A | 78 BPM | ||
| My Life to Live | 鈴木克崇 | D♭ Minor | 2 | 12A | 85 BPM | ||
| Final Fantasy VII Remake: Turks’ theme | Arnie Roth, Distant Worlds Philharmonic Orchestra | B♭ Major | 5 | 6B | 87 BPM | ||
| 造られた竜の物語 | Akiyuki Morimoto | D Major | 5 | 10B | 153 BPM | ||
| かきむしる紳士の挽歌 | Masakazu Sugimori | B♭ Major | 8 | 6B | 132 BPM | ||
| Crystal World | Nobuo Uematsu | A♭ Major | 4 | 4B | 150 BPM | ||
| Omega | 鈴木克崇, Nobuo Uematsu | C Major | 8 | 8B | 107 BPM | ||
| Rebuild and Recover: Avinia | Masahiro Ohki | E♭ Major | 4 | 5B | 95 BPM | ||
| 時の迷い子 | Yasunori Mitsuda | D♭ Major | 0 | 3B | 144 BPM | ||
| アルガスとの出会い | Masaharu Iwata | F♯ Minor | 9 | 11A | 79 BPM | ||
| Orca Space Complex | Hyunmin Cho, SHIFT UP | C Major | 4 | 8B | 100 BPM | ||
| Vulkan Bolla, Dread Primal - Part 2 | Tsutomu Narita | F Minor | 9 | 4A | 111 BPM | ||
| The Nightmare | Yoko Shimomura | D♭ Major | 5 | 3B | 140 BPM | ||
| 恐怖1 | Masaharu Iwata | F♯ Minor | 9 | 11A | 79 BPM | ||
| FFVII REMAKE: Another Day at Shinra HQ | 今村 貴文 | G Minor | 5 | 6A | 112 BPM | ||
| Lodes of Fun | Yoshitaka Suzuki | G Major | 2 | 9B | 120 BPM | ||
| Deceit and Deception | Wuthering Waves, Minase | A Minor | 9 | 8A | 160 BPM | ||
| A Serpentine Path | Jonatan Järpehag, Gustaf Grefberg | C Minor | 2 | 5A | 87 BPM | ||
| Champion of the Empire | Justin Frieden | D Major | 1 | 10B | 175 BPM | ||
| Hallelujah Parade | Vintage Realm | E Major | 2 | 12B | 100 BPM | ||
| 「Dungeon」 from FINAL FANTASY V - arrange | SQUARE ENIX MUSIC | D♭ Major | 8 | 3B | 114 BPM |