Hariprabodham's ' "Bolya Shreehari Re" was released on its scheduled release date, January 1, 2015. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Suhradbhav Ki Param Seema". In this album, this song's track order is #3. Bolya Shreehari Re is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bolya Shreehari Re by Hariprabodham having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hare Krishna Vol 2 Part 4 - Original | Bitu Samajpati, NA | D♭ Major | 5 | 3B | 104 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Dibanishi Bhabo Re Mon | Indranil Dutta | D Major | 4 | 10B | 180 BPM | ||
| Subrammanyana Aradhane | B. R. Chaya | F Major | 5 | 7B | 134 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM | ||
| Kalpa Vruksh Bhaktaraksha | Neerja Pandit | D♭ Major | 8 | 3B | 125 BPM | ||
| Aarti Kunj Behari Ki | Manish Tiwari | A♭ Major | 7 | 4B | 133 BPM | ||
| Roodi Randhi Me | Hariprabodham | F♯ Major | 4 | 2B | 82 BPM | ||
| Vasudha ke is anchal mein | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Namaskar Majha Shree Chakradharala | Vishal Jogdeo | G Major | 7 | 9B | 139 BPM | ||
| Shree Yamunashtakam - Raag Bhatiyaar | Prahar Vora | D♭ Major | 4 | 3B | 100 BPM | ||
| Aay Pokhar Me Uthlai Ujahi - Maithili | Dilip Darbhangiya | A♭ Major | 10 | 4B | 126 BPM | ||
| Mara Mathe Dashama No Hath - Original | Hari Bharwad, NA | F Major | 6 | 7B | 114 BPM | ||
| Jamo Thaad Jivan | Hariprabodham | F♯ Major | 4 | 2B | 82 BPM | ||
| Ke Tumi Bajale Nabin | Mahesh Ranjan Shome | F♯ Minor | 5 | 11A | 175 BPM | ||
| Nadiya Ke Tir Ma | Mamta Chandarkar | F♯ Major | 6 | 2B | 81 BPM | ||
| Shreenathji Paraniye Jhule re | Nidhi Dholakia | F Major | 5 | 7B | 130 BPM | ||
| Jagiya Loho Krishna Naam | Apily Dutta Bhowmick | C Major | 6 | 8B | 116 BPM | ||
| Teri Sharan Mein Aayke | Hariprabodham | B♭ Minor | 6 | 3A | 83 BPM | ||
| OKI SHYAM NA SHYAMER CHAYA | Aditi Munshi | E Major | 5 | 12B | 171 BPM | ||
| Nasta Thal | Hariprabodham | B♭ Major | 3 | 6B | 108 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Thirupparam Kundrathil | Deshan Styler Naidoo | G Major | 6 | 9B | 178 BPM | ||
| Kumara Mangala Stotram | Mangesh Borgaonkar | A♭ Major | 5 | 4B | 105 BPM |