On June 1, 2013, the song "Miami Disco" was released by Perturbator. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Sexualizer EP". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Miami Disco's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Miami Disco by Perturbator having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Viper Force | Street Cleaner, Future Holotape | C Minor | 7 | 5A | 140 BPM | ||
| Bodywork | VHS Dreams | G Minor | 9 | 6A | 137 BPM | ||
| Malware Injection (Hacknet Official Soundtrack) | Remi Gallego | C Minor | 8 | 5A | 128 BPM | ||
| Terror 404 | Perturbator | D♭ Major | 8 | 3B | 110 BPM | ||
| Winding Theme #1 (Hotline Miami 2) | Dag Unenge | C Major | 5 | 8B | 110 BPM | ||
| Hotline - Analogue Mix | Jasper Byrne | B♭ Minor | 8 | 3A | 110 BPM | ||
| Daisuke | El Huervo | B Minor | 10 | 10A | 136 BPM | ||
| The Last Race Between You and Me | Thomas Barrandon | F♯ Major | 9 | 2B | 127 BPM | ||
| Traces | Let Em Riot | D Major | 9 | 10B | 93 BPM | ||
| Beacon | Volkor X, Dimi Kaye | C Minor | 8 | 5A | 140 BPM | ||
| Visitors | Lazerhawk | G Major | 7 | 9B | 133 BPM | ||
| Tuned to a Dead Channel | Dan Terminus | D Major | 7 | 10B | 115 BPM | ||
| Cross the Line | Lost Years | B♭ Minor | 9 | 3A | 120 BPM | ||
| Thunderground | Judge Bitch | D♭ Major | 6 | 3B | 112 BPM | ||
| Lost in Big City | Maethelvin | G Major | 8 | 9B | 115 BPM | ||
| Night Driving Avenger | Perturbator | C Major | 8 | 8B | 140 BPM | ||
| Escape from Antartica | Oscillian, Ultraboss | C Minor | 9 | 5A | 106 BPM | ||
| ALL THAT YOU LEAVE BEHIND - movement 4 / Perturbator Remix | Jean-Michel Jarre, Perturbator | A♭ Major | 8 | 4B | 120 BPM | ||
| Coerced Battle | Fixions | B♭ Minor | 10 | 3A | 115 BPM | ||
| Cybernetic | Grum | B♭ Minor | 8 | 3A | 114 BPM | ||
| Dark Prince, Pt. 2 | Atrey | B♭ Minor | 7 | 3A | 102 BPM | ||
| 22:41 | Danger | F♯ Minor | 8 | 11A | 129 BPM | ||
| Exoskeleton | Mega Drive | D♭ Major | 9 | 3B | 194 BPM | ||
| 6.24 | Danger | G Major | 10 | 9B | 132 BPM | ||
| Galaxy Express | Atrey | A Major | 6 | 11B | 132 BPM |