"徹底抗戦 M-33 (2) - 「宇宙戦艦ヤマト2」使用BGM" by 宮川 泰, シンフォニック・オーケストラ・ヤマト had its release date on March 20, 2013. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of YAMATO SOUND ALMANAC 1978-VI 宇宙戦艦ヤマト2 BGM集 Part2 by 宮川 泰, シンフォニック・オーケストラ・ヤマト. The song's track number on the album is #21 out of 44 tracks. Based on our data, Japan was the country where this track was produced or recorded. 徹底抗戦 M-33 (2) - 「宇宙戦艦ヤマト2」使用BGM is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 徹底抗戦 M-33 (2) - 「宇宙戦艦ヤマト2」使用BGM by 宮川 泰, シンフォニック・オーケストラ・ヤマト has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 徹底抗戦 M-33 (2) - 「宇宙戦艦ヤマト2」使用BGM being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| だれかが風の中で(フジテレビ系「木枯し紋次郎」より) | Claude Ciari | G Major | 2 | 9B | 112 BPM | ||
| 梅ちゃん先生 | Kenji Kawai | F Major | 3 | 7B | 80 BPM | ||
| 出発 - 2024mix | 宮川 泰, シンフォニック・オーケストラ・ヤマト | G Minor | 2 | 6A | 91 BPM | ||
| 復活のテガソード | 沢田完 | E♭ Major | 6 | 5B | 55 BPM | ||
| 白色彗星 | Takefumi Haketa | D Major | 3 | 10B | 83 BPM | ||
| ゴルバ、その姿 | Akira Miyagawa | A Minor | 2 | 8A | 142 BPM | ||
| Wait And See (インストゥルメンタル) | 小路隆 | C Major | 4 | 8B | 130 BPM | ||
| サテライト・キャノン | 樋口康雄 | F Minor | 6 | 4A | 129 BPM | ||
| サラブレッド | 東京ユニオン, 高橋達也 | A Minor | 8 | 8A | 139 BPM | ||
| テーマ (M2) - 『ウルトラQ』より | スタジオ・オーケストラ | F♯ Major | 6 | 2B | 134 BPM | ||
| 宇宙戦艦ヤマト (2205 OP Ver.) | ささきいさお | C Minor | 5 | 5A | 145 BPM | ||
| 愛のために死す(映画「愛のために死す」より) | Charles Aznavour, Kiyoshi Shomura | B Minor | 1 | 10A | 135 BPM | ||
| サバの女王 | ニュー・ポール・モーリア・グランド・オーケストラ | F Major | 3 | 7B | 101 BPM | ||
| 交響詩「フィンランディア」 | ベルリン フィルハーモニー管弦楽団 | E Major | 1 | 12B | 77 BPM | ||
| こんなもんじゃ、オレは倒れねぇ | 田中公平 | B♭ Major | 2 | 6B | 114 BPM | ||
| Fire | Terry Davies, Betty O'Barley, Harry O'Hay | E Major | 1 | 12B | 102 BPM | ||
| 必殺仕置人のテーマ(必殺仕置人)ORIGINAL COVER | NIYARI計画 | D Minor | 4 | 7A | 123 BPM | ||
| 舞踏会の美女 | Leroy Anderson, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
| SF交響ファンタジー第1番(1983) 「宇宙大戦争」戦争シーン | 伊福部昭, 広上淳一, Japan Philharmonic Orchestra | A Minor | 7 | 8A | 136 BPM | ||
| 新たなる宇宙へ… | 門倉聡 | F Minor | 6 | 4A | 114 BPM | ||
| 誕生 - 2024mix | 宮川 泰, シンフォニック・オーケストラ・ヤマト | C Major | 5 | 8B | 137 BPM | ||
| ゴジラ・タイトル / 「ゴジラ」 | Shiro SAGISU, Akira Ifukube | C Major | 4 | 8B | 76 BPM | ||
| 遊星から来た兄弟 勝利(M5) 〈ロンドンオーケストラによる〉 | 宮内國郎 | D Major | 7 | 10B | 128 BPM | ||
| 行進曲≪ナヴァル・ブルー≫ | 真島俊夫, 陸上自衛隊 東部方面音楽隊, 古荘浩四郎 2等陸佐 | G Major | 2 | 9B | 144 BPM | ||
| 乗組員の行進〜ヤマト発進 O-1 | 宮川 泰, ヤマト・スタジオ・オーケストラ | C Major | 5 | 8B | 137 BPM |