Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Karel Valter's 'Flute Concerto in F Major, RV 434: II. Largo cantabile' had a release date set for January 9, 2026. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Masques by Antonio Vivaldi, Paul-Antoine Bénos-Djian, Café Zimmermann, Pablo Valetti. The song's track number on the album is #16 out of 18 tracks. Based on our data, France was the country where this track was produced or recorded. Flute Concerto in F Major, RV 434: II. Largo cantabile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Flute Concerto in F Major, RV 434: II. Largo cantabile by Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Karel Valter has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Flute Concerto in F Major, RV 434: II. Largo cantabile being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rameau: Dardanus, Act 4: Contredanse | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 124 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Violin Concerto in D Minor, RV 813: V. Largo | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
| Concerto Armonico No. 4 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 0 | 2B | 37 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Dissertazioni sopra l´opera quinta del Corelli, VIolin Sonata No. 1 in D Major: I. Grave – Allegro | Francesco Maria Veracini, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A♭ Minor | 1 | 1A | 88 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Symphony No. 5 in C Major: I. Andante - | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 123 BPM | ||
| Concert royaux, Quatrième concert in E Minor: V. Sarabande. Très tendrement | François Couperin, Lucie Horsch, Tom Foster | E Major | 0 | 12B | 89 BPM | ||
| Concerto for 2 Flutes in D Major, FWV L:D9: II. Andante | Johann Friedrich Fasch, Jan De Winne, Sien Huybrechts, Il Gardellino | D♭ Major | 0 | 3B | 114 BPM | ||
| Les Boréades, RCT 31: Entrée de Polymnie (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | F Major | 1 | 7B | 101 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Bach, CPE: Flute Sonata in G Minor: II. Adagio (Formerly Attributed to JS Bach as BWV 1020) | Carl Philipp Emanuel Bach, Aurèle Nicolet, Karl Richter | B Major | 1 | 1B | 172 BPM | ||
| Platti: Cello Concerto in D Major, WD 650: II. Adagio | Giovanni Benedetto Platti, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro | B Minor | 1 | 10A | 98 BPM | ||
| Christ lag in Todesbanden, BWV 4: I. Sinfonia | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances | E Minor | 2 | 9A | 178 BPM | ||
| 12 Concerti grossi, Op.6 - Concerto grosso in D major, Op. 6, No. 5: 3. Presto | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | D♭ Major | 3 | 3B | 89 BPM | ||
| Rosary Sonata No. 2 in A Major "Mariæ Heimsuchung": I. Sonata | Heinrich Ignaz Franz von Biber, Leila Schayegh, La Centifolia | B Major | 1 | 1B | 172 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Sarabande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Pièces à une et deux violes, Premier Livre, Suite in G Minor: Allemande | Marin Marais, Lucile Boulanger | F♯ Minor | 0 | 11A | 47 BPM | ||
| Oboe Concerto in E Minor, TWV 51:E1: II. Allegro molto | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | F♯ Major | 4 | 2B | 126 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Omphale, Acte I: Ouverture | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra | B Major | 1 | 1B | 172 BPM |