吉川忠英's ' "日曜日の午後" was released on its scheduled release date, October 25, 1974. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in こころ, so we believe that "日曜日の午後" is a single. In terms of popularity, 日曜日の午後 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 日曜日の午後 by 吉川忠英 is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ALPHA ACUSTIC | Alphagarrsongs | E Major | 1 | 12B | 148 BPM | ||
| Norwegian Dance | Nik Davies | D Major | 1 | 10B | 100 BPM | ||
| Motril | Vendla | E Minor | 1 | 9A | 106 BPM | ||
| Midsummer Dew | South Headland Experience | C Major | 2 | 8B | 136 BPM | ||
| Farfalle | Polso Lento | E Major | 1 | 12B | 148 BPM | ||
| Moment of Joy | Tommy Berre, Dan Brewer | E Major | 1 | 12B | 148 BPM | ||
| Empathy 3 | Chinmaya Dunster | D Major | 2 | 10B | 105 BPM | ||
| 4+3 | Áron Bobály, Aron B Trio | E Major | 1 | 12B | 148 BPM | ||
| Lazy Sundays | Al Borneaux | G Major | 2 | 9B | 83 BPM | ||
| Monsaraz | Marino Calle | D Major | 1 | 10B | 82 BPM | ||
| por la gracia de Dios | El Alma Sonora, Emi Franji | E Major | 1 | 12B | 148 BPM | ||
| 別れの曲 | Shigeharu Sasago, 吉野友加 | E♭ Major | 1 | 5B | 103 BPM | ||
| 黄昏の彼方に | Masami Sato | D Major | 2 | 10B | 178 BPM | ||
| Brisa De Colores | Ousman Omai | F Minor | 2 | 4A | 90 BPM | ||
| Waltz No. 3 in D Major | Paul Erickson | D Major | 1 | 10B | 106 BPM | ||
| Canon In D "Wedding Version" (Piano & Acoustic Guitar) | John Story | D Major | 2 | 10B | 120 BPM | ||
| Until We Meet Again | David Albornoz | G Major | 1 | 9B | 174 BPM | ||
| 風窓 | 吉川忠英 | F♯ Minor | 1 | 11A | 176 BPM | ||
| South Side | Remi Kerrington | A Major | 1 | 11B | 69 BPM | ||
| Amethyst | Agustín Amigó | E Major | 1 | 12B | 148 BPM | ||
| Recen por sus cenizas | Carolina Barenbaum | C Major | 1 | 8B | 98 BPM | ||
| 悲しい歌は唄わない - Single Mix | 吉川忠英 | C Major | 6 | 8B | 120 BPM | ||
| Afternoon Walk | Andreas Heuser | E Minor | 2 | 9A | 146 BPM | ||
| 線香花火 | iima | D Major | 1 | 10B | 86 BPM | ||
| Midnight Skies | Gentle Acoustic Guitar | E Major | 1 | 12B | 148 BPM |