On January 7, 2015, the song "Peacherine Rag" was released by Eric Breton. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Ragtime: Piano des saloons et bordels du Far-West". In this album, this song's track order is #17. In terms of popularity, Peacherine Rag is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Peacherine Rag by Eric Breton having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burlesque Grotesque | John Rowcroft | G Minor | 6 | 6A | 100 BPM | ||
| Brahms: Hungarian Dance #5 | John Stebbe | G Minor | 2 | 6A | 156 BPM | ||
| Bomarzo | Gianluca Podio | C Major | 3 | 8B | 118 BPM | ||
| The Ragtime Nightingale | Joseph F. Lamb, Morten Gunnar Larsen | E♭ Major | 1 | 5B | 133 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| Creole Jazz | Dutch Swing College Band | B♭ Major | 4 | 6B | 164 BPM | ||
| Aiva for Piano Solo, Op. 15 | Eric Breton, Aiva | G Major | 1 | 9B | 110 BPM | ||
| Mahogany Hall Stomp | King Oliver | C Major | 4 | 8B | 93 BPM | ||
| A Touch of Class | Lars Ole Ganderup Payne | C Major | 3 | 8B | 171 BPM | ||
| Jazz Cats | Paul Reeves | D Minor | 3 | 7A | 95 BPM | ||
| Thriller Rag | Tuba Skinny | E Major | 2 | 12B | 94 BPM | ||
| Mysticism Of Money (Fugue in D Minor) | Mathis Picard | C Minor | 5 | 5A | 176 BPM | ||
| Cirque de Folie | Karen Biehl | G Major | 3 | 9B | 159 BPM | ||
| Aiva for Piano Solo, Op. 20 | Eric Breton, Aiva | E♭ Major | 2 | 5B | 84 BPM | ||
| Marimba Concerto No. 1: III. | Miho Hazama, Mika Stoltzman, Richard Stoltzman, Eddie Gómez, Steve Gadd, members of the Boston Symphony Orchestra, members of the Boston Modern Orchestra Project | C Minor | 5 | 5A | 176 BPM | ||
| The Jester | Heredia Al Nassir | A♭ Major | 4 | 4B | 75 BPM | ||
| Ain't She Sweet | Bunny Berigan | C Minor | 5 | 5A | 176 BPM | ||
| Talking and Talking and Talking and... | Otto Rissanen, Mireia Costa Viladrich | C Minor | 5 | 5A | 176 BPM | ||
| Charleston Rag | Max Keenlyside | D♭ Major | 2 | 3B | 104 BPM | ||
| Waiting For The Robert E Lee | Claude Bolling | C Major | 5 | 8B | 131 BPM | ||
| Tendu | Lynn Stanford | A Major | 2 | 11B | 96 BPM | ||
| Rhythm Boogie | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | C Major | 5 | 8B | 98 BPM | ||
| Asie | Farshad Soltani, Charles Houghton-Webb, Eric Breton | G Major | 1 | 9B | 114 BPM | ||
| Avalon | Gustav Lundgren Trio | F Major | 5 | 7B | 126 BPM | ||
| Charleston Crazy | Marion Harris, Blossom Seeley | C Minor | 5 | 5A | 176 BPM |