Black Lab's 'The Real You' had a release date set for July 18, 2007. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Passion Leaves a Trace". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, The Real You's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Real You by Black Lab having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ten Million Years | Black Lab | A Minor | 6 | 8A | 92 BPM | ||
| Snowed Under - Live At Paradiso, Amsterdam / 29.11.04 | Keane | F Major | 6 | 7B | 130 BPM | ||
| Simon | Lifehouse | A♭ Minor | 7 | 1A | 142 BPM | ||
| Matroshka | Dredg | B Minor | 5 | 10A | 97 BPM | ||
| While We Were Hunting Rabbits | Matthew Good | F♯ Major | 6 | 2B | 81 BPM | ||
| Higher Than Reason | Unbelievable Truth | A Minor | 5 | 8A | 90 BPM | ||
| Unreal | Simon Astley | D Major | 8 | 10B | 95 BPM | ||
| A Day Alone | Black Lab | G Major | 5 | 9B | 115 BPM | ||
| Bright End Of Nowhere | Matthew Good | F♯ Major | 6 | 2B | 166 BPM | ||
| Change for Me | Low Level Flight | G Major | 9 | 9B | 122 BPM | ||
| The Beautiful Side Of Somewhere | The Wallflowers | A♭ Major | 7 | 4B | 122 BPM | ||
| Reaching Out | The Modern Evolve | C Major | 7 | 8B | 100 BPM | ||
| Without | Harvard of the South | C Major | 9 | 8B | 121 BPM | ||
| Come On Back To Me - Concrete Beats | Moving Into Tucson | D Major | 9 | 10B | 116 BPM | ||
| Over the Rails & Hollywood High | Remy Zero | B Major | 9 | 1B | 174 BPM | ||
| Devastation Hands | Emerson Hart | F♯ Major | 9 | 2B | 113 BPM | ||
| Always | Neverending White Lights | C Major | 8 | 8B | 75 BPM | ||
| Alien | Thriving Ivory | D♭ Major | 8 | 3B | 137 BPM | ||
| The Worst Things Beautiful | Ours | F Minor | 9 | 4A | 140 BPM | ||
| Better Off Friends? | Avery Brooks | E Minor | 5 | 9A | 138 BPM | ||
| Texas Rain | Sleeperstar | D Major | 6 | 10B | 148 BPM | ||
| Preacher's Daughter | The Mayan Factor | D Major | 8 | 10B | 103 BPM | ||
| Satellite | Unkle Bob | D♭ Minor | 8 | 12A | 125 BPM | ||
| Can't Stop The World | Gavin Rossdale | C Major | 8 | 8B | 109 BPM | ||
| Sleeps With Angels | Black Lab | A Minor | 7 | 8A | 160 BPM |