Shafa Ullah Khan Rokhri's ' "Koorian Gallan Hin" was released on its scheduled release date, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shafa Ullah Khan Rokhri's "Malangan Nal Yari Na La" album is number 2 out of 8. On top of that, Pakistan appears to be the country where this track was created. Based on our statistics, Koorian Gallan Hin's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Koorian Gallan Hin by Shafa Ullah Khan Rokhri to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Na Sada Bangla Na Sada Laari | Tahir Mehmood Nayyar | E Minor | 10 | 9A | 96 BPM | ||
| Yaad Teri | The Sahotas | A Minor | 9 | 8A | 92 BPM | ||
| Ibadat Se Pehly To Yaad Ata hai | GB Shina Songs | F♯ Major | 6 | 2B | 77 BPM | ||
| Gabru | Firoz Khan | E♭ Major | 5 | 5B | 75 BPM | ||
| Tera Naa 2 | Madan Maddi | B Major | 8 | 1B | 124 BPM | ||
| Ve Aaja Beh Ja Kuj Sun Le | Naseebo Lal | A Minor | 10 | 8A | 126 BPM | ||
| Mera Yahowa | Bobby Saab | F♯ Minor | 9 | 11A | 162 BPM | ||
| Nalka Lawa Dy | Mujahid Mansoor Malangi | G Major | 7 | 9B | 123 BPM | ||
| Yaar Tede Ton Sohna | Mumtaz Molai, Gulaab | F Minor | 9 | 4A | 120 BPM | ||
| Kharcha Sada Te Nakhre Lokan De | Anmol Sayal | B Major | 9 | 1B | 120 BPM | ||
| Pagg | Jatinder Shah, Jaspinder Narula | A Minor | 5 | 8A | 80 BPM | ||
| Khawab | Sheera Jasvir | C Major | 9 | 8B | 140 BPM | ||
| Deva Chalda Mahasua - Pashmi Pravas Geet | Deep Khadrai | B Major | 7 | 1B | 128 BPM | ||
| We Dhola Nikra Nikra | Ahmed Nawaz Cheena | B♭ Minor | 6 | 3A | 186 BPM | ||
| Yaad Karengi | Surjit Bindrakhia | C Major | 6 | 8B | 103 BPM | ||
| Kyon Pardes Ni Wasaye | Ahmed Nawaz Cheena | B Minor | 10 | 10A | 93 BPM | ||
| Meda Chan Masa Ta | Shafa Ullah Khan Rokhri | A♭ Minor | 8 | 1A | 94 BPM | ||
| Gali Bewafawan | Basit Naeemi | B♭ Minor | 9 | 3A | 79 BPM | ||
| Ishq De Dard | Sharafat Ali Khan | B Minor | 9 | 10A | 164 BPM | ||
| Sardaa Angaare | Sufi-Punjabi | F♯ Major | 5 | 2B | 88 BPM | ||
| Menu Pyara Lagna Enh | Nadeem Abbas Lunewala | F♯ Major | 8 | 2B | 108 BPM | ||
| Sangraand | Babbu Maan | B♭ Minor | 9 | 3A | 140 BPM | ||
| O Bewafa Mera Dil Morr De | Shafa Ullah Khan Rokhri | E♭ Major | 6 | 5B | 84 BPM | ||
| Mandi Da Dhola | Malkoo, Farhana Maqsood | D♭ Major | 10 | 3B | 100 BPM | ||
| True Love | Gurbaaz | F♯ Minor | 9 | 11A | 92 BPM |