SpitBack's ' "Here We Come" was released on its scheduled release date, March 15, 2014. Here We Come is considered explicit and may contain foul language. This song is about 3 minutes and 9 seconds, which is about the average length of a typical song. There are a total of 12 in the song's album "Two-Faced". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Here We Come is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Here We Come by SpitBack having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abhorrent Form | SIN AGAINST SIN | F♯ Major | 9 | 2B | 140 BPM | ||
| Condition 1 | Condition One | B♭ Minor | 10 | 3A | 169 BPM | ||
| Filled with Hate | Lionheart | E Minor | 9 | 9A | 86 BPM | ||
| Violent Procreation | God's Hate | G Major | 10 | 9B | 121 BPM | ||
| The Valley Beyond (818) | God's Hate | D Major | 9 | 10B | 146 BPM | ||
| Against the Grain | Two-Piece | F♯ Major | 10 | 2B | 138 BPM | ||
| True Self | Ends Of Sanity | G Major | 9 | 9B | 108 BPM | ||
| The Heimlich Manoeuvre | Special Move | E Minor | 8 | 9A | 80 BPM | ||
| March of the Abuser | Judiciary | E Major | 10 | 12B | 93 BPM | ||
| Ice Cold | Downpresser | G Minor | 10 | 6A | 162 BPM | ||
| Fallen | Shattered Realm | A♭ Major | 10 | 4B | 170 BPM | ||
| Pay the Reaper | False Reality | E Major | 10 | 12B | 142 BPM | ||
| Victory Thru Transcendence | Ultra Instinct | G Major | 8 | 9B | 116 BPM | ||
| Fight | Hate | A♭ Major | 8 | 4B | 143 BPM | ||
| Ain't Turned Mine | Gridiron | F♯ Major | 9 | 2B | 85 BPM | ||
| Bring the Pain | GRIMLOCK | B♭ Major | 7 | 6B | 82 BPM | ||
| Futile Battle | CESSPOOL MTL | D Major | 10 | 10B | 161 BPM | ||
| Judgement Strikes (Unbreakable) | Hatebreed | C Major | 10 | 8B | 92 BPM | ||
| Squall | Shipwreck A.D. | A♭ Major | 10 | 4B | 87 BPM | ||
| The King Is Dead | Hoods | F♯ Major | 9 | 2B | 118 BPM | ||
| 1984 | Special Move | D Major | 9 | 10B | 182 BPM | ||
| The Enemies Remain | No Victory | F♯ Major | 7 | 2B | 136 BPM | ||
| Crying Shame | Downpresser | D♭ Major | 10 | 3B | 142 BPM | ||
| Follow Blind | Naysayer | A♭ Major | 10 | 4B | 121 BPM | ||
| BFL - Original | No Retreat | B Major | 8 | 1B | 86 BPM |