Erich Kunz's 'Mei Mutterl war a Weanarin' had a release date set for March 23, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 20 in Die schönsten Wiener Lieder by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mei Mutterl war a Weanarin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mei Mutterl war a Weanarin by Erich Kunz is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Vogelhändler: Schenkt man sich Rosen in Tirol | Carl Zeller, Rudolf Schock, Erika Köth, Frank Fox | B♭ Major | 3 | 6B | 84 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Vor meinem Vaterhaus steht eine Linde | Robert Stolz, Rudolf Schock | F Major | 1 | 7B | 76 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
| Messa di gloria, SC 6: IIc. Gloria. Qui tollis peccata mundi - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | C Minor | 1 | 5A | 77 BPM | ||
| The Merry Widow: Overture | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | C Major | 4 | 8B | 144 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | G Major | 1 | 9B | 101 BPM | ||
| Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro) | Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 89 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| The Merry Widow: Act I, "Verehrteste Damen un Herren" | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | G Major | 4 | 9B | 92 BPM | ||
| Weisst du Mutterl was i träumt hab | Erich Kunz | F Major | 4 | 7B | 117 BPM | ||
| The Merry Widow: Act II, "Wie die Weiber?" | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | D Major | 6 | 10B | 144 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
| ‘s wird schöne Maderln geb‘n | Erich Kunz | G Major | 4 | 9B | 112 BPM | ||
| Weißt du, wieviel Sterne stehen? | Werner Hollweg | F♯ Major | 3 | 2B | 165 BPM | ||
| Viktoria! Der Meister soll leben! | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
| Macbeth, Act III: Fuggi, regal fantasima | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | G Major | 4 | 9B | 168 BPM | ||
| Die lustige Witwe: Da geh' ich zu Maxim | Franz Lehár, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester, Angelika Kirchschlager | D Major | 1 | 10B | 87 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| 18. When Britain really ruled the waves | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 2 | 11B | 75 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | ||
| Die Dreigroschenoper: Akt II, Die Ballade vom angenehmen Leben ("Da preist man nun das Leben großer Geister") | Kurt Weill, Erich Schellow, Wilhelm Brückner-Rüggeberg | A Major | 2 | 11B | 117 BPM | ||
| Die Fledermaus, Act I | Hilde Gueden, Erika Köth, Eberhard Wächter, Regina Resnik, Erich Kunz, Waldemar Kmentt, Vienna Philharmonic, Herbert von Karajan, Walter Berry, Peter Klein | F Major | 4 | 7B | 64 BPM | ||
| En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM |