"Half Life" by Antonymes had its release date on May 1, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Exquisite Corpse". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Half Life's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Half Life by Antonymes having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Praise of Tears | Kyle Bobby Dunn | F♯ Major | 0 | 2B | 133 BPM | ||
| The Front | Conor Walsh | F♯ Major | 2 | 2B | 175 BPM | ||
| The Delicate Sound of Silence | Slow Dancing Society | E♭ Major | 2 | 5B | 179 BPM | ||
| Now and Not Yet | Hammock | G Major | 2 | 9B | 142 BPM | ||
| Them | Nils Frahm | F♯ Major | 2 | 2B | 200 BPM | ||
| Running By The Roads, Running By The Fields | Library Tapes, Julia Kent | D Minor | 2 | 7A | 122 BPM | ||
| Illetes - Edit | Toni Bigote, Chris Coco | G Major | 0 | 9B | 74 BPM | ||
| Gusts of Wind Blowing in Different Directions | The Last Dinosaur | F♯ Major | 0 | 2B | 93 BPM | ||
| Offers of Peace | Elskavon | F♯ Major | 1 | 2B | 63 BPM | ||
| Delicate Power | Antonymes | D Major | 0 | 10B | 180 BPM | ||
| Aurora | Jacob Pavek, Philip Daniel, BLOMMA | G Minor | 1 | 6A | 141 BPM | ||
| The How of it Sped | Bing & Ruth | B♭ Minor | 2 | 3A | 75 BPM | ||
| A Meaningful Moment Through a Meaning(less) Process | Stars Of The Lid | A♭ Minor | 1 | 1A | 67 BPM | ||
| Into Silence I | Jane Antonia Cornish, Anna Elashvili, Saeunn Thorsteinsdottir, Caitlin Sullivan, Claire Bryant, Hamilton Berry, Vicky Chow | A Minor | 1 | 8A | 63 BPM | ||
| La | Nils Frahm | A♭ Minor | 0 | 1A | 41 BPM | ||
| It's Ok | Patrick Hamilton | C Major | 0 | 8B | 58 BPM | ||
| Tramlines | Neil Cowley | D Minor | 0 | 7A | 68 BPM | ||
| Luna | Ebb & Flod | D♭ Minor | 3 | 12A | 116 BPM | ||
| Centered | EON NOIRE | F Major | 0 | 7B | 68 BPM | ||
| Unsayable | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| Towards Tragedy and Dissolution | Antonymes | F Major | 2 | 7B | 72 BPM | ||
| Of Course It's All Things | Lowercase Noises | A Major | 1 | 11B | 68 BPM | ||
| Sagamo | Sizmara, Gjenklang | A Major | 1 | 11B | 74 BPM | ||
| Beyond the Milk Wood | Federico Albanese | G Minor | 1 | 6A | 116 BPM | ||
| Means of Escape (i) | Antonymes | C Major | 0 | 8B | 140 BPM |