Ricardo Tanturi, Enrique Campos's ' "Calor de hogar" was released on its scheduled release date, February 6, 2012. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Calor de hogar's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Ricardo Tanturi y su orquesta tipica. Los Indios". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Calor de hogar's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Calor de hogar by Ricardo Tanturi, Enrique Campos having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abandono | Pedro Laurenz, Héctor Farrel | D Major | 3 | 10B | 120 BPM | ||
| Vida Querida | Osvaldo Fresedo y su Orquesta Típica | C Minor | 4 | 5A | 132 BPM | ||
| Adios Arrabal | Angel D'Agostino, Ángel Vargas | D Major | 3 | 10B | 120 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| Colorao, Colorao | Orquesta Anibal Troilo, Francisco Fiorentino | E Minor | 4 | 9A | 112 BPM | ||
| El Recodo | Rodolfo Biagi, Orquesta Rodolfo Biagi | C Major | 3 | 8B | 60 BPM | ||
| A La Gran Muñeca | Rodolfo Biagi Y Su Orquesta Tipica | A Major | 2 | 11B | 61 BPM | ||
| Largá Las Penas | Francisco Canaro, Roberto Maida | B Major | 2 | 1B | 117 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| Cacareando | Orquesta Tipica Victor, Carlos de la Fuente | E Major | 4 | 12B | 95 BPM | ||
| Nochero Soy | Color Tango | A Minor | 3 | 8A | 116 BPM | ||
| Lloran Las Campanas | José García Y Sus Zorros Grises | D Major | 3 | 10B | 120 BPM | ||
| Viejo Portón | Pablo Valle Sexteto | A♭ Major | 4 | 4B | 114 BPM | ||
| Cualquier Cosa | Domingo Federico | D Major | 3 | 10B | 120 BPM | ||
| Esta Noche Me Emborracho | La Juan D'Arienzo | E Major | 5 | 12B | 132 BPM | ||
| Garufa | Nina Miranda, Donato Racciatti y Su Orquesta Típica | D Major | 5 | 10B | 142 BPM | ||
| Dos palabras por favor | Ricardo Tanturi y Enrique Campos | A♭ Major | 3 | 4B | 127 BPM | ||
| Pocas palabras | Alberto Castillo | D Major | 3 | 10B | 120 BPM | ||
| Lloraras, lloraras | Orquesta Anibal Troilo, Floreal Ruiz | G Major | 3 | 9B | 86 BPM | ||
| El Viejo Vals | Francisco Rotundo | D Major | 3 | 10B | 120 BPM | ||
| Milonga Del Aguatero | Orquesta Tipica Victor | A Minor | 3 | 8A | 111 BPM | ||
| Mas Alla | Osvaldo Fresedo y su Orquesta Típica | D♭ Major | 3 | 3B | 133 BPM | ||
| En un pequeño café | Florindo Sassone Y Su Orquesta | F Major | 3 | 7B | 116 BPM | ||
| Arrangaraz (Versión Alternativa) | Ricardo Tanturi | D Major | 3 | 10B | 141 BPM | ||
| Que No Sepan Las Estrellas | José García Y Sus Zorros Grises | D Major | 3 | 10B | 120 BPM |