"Julia: VII. A la Russe" by Jon Appleton had its release date on November 15, 2015. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jon Appleton's "Jon Meets Yoshiko" album is number 8 out of 25. In terms of popularity, Julia: VII. A la Russe is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Julia: VII. A la Russe by Jon Appleton to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empathy | Zakkaro Damo B | A Major | 1 | 11B | 128 BPM | ||
| Clockwork Daily | Black Smoke | D Major | 0 | 10B | 70 BPM | ||
| grevillea | Hiroshi Suzuki, Maki Takagi | D Major | 5 | 10B | 110 BPM | ||
| Anthem of the Trinity | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | ||
| Whatever | Xenevera | D♭ Minor | 4 | 12A | 82 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Certo Che (Interlude) | Ragni Cristofer | E Minor | 2 | 9A | 116 BPM | ||
| Mussems Sang (1976) | Jon Appleton | C Minor | 1 | 5A | 77 BPM | ||
| Ton Sum Door | KEGOLGOS | C Minor | 4 | 5A | 125 BPM | ||
| She/Her/Gone | Valentina Magaletti | C Major | 10 | 8B | 118 BPM | ||
| Persepolis #5 | Iannis Xenakis | A Major | 9 | 11B | 100 BPM | ||
| Infantasy | Jon Appleton | B Minor | 2 | 10A | 163 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| Quiet Pillars of Light | Aurelius Noctis | D Major | 0 | 10B | 70 BPM | ||
| Synapse | Raaggeah | F Minor | 5 | 4A | 148 BPM | ||
| Paths of Light | Lumi Risto | D Major | 0 | 10B | 70 BPM | ||
| Karaoke with Cal | Aaron Dilloway | B Major | 4 | 1B | 85 BPM | ||
| Valley of No Return | Joe Meek & the Blue Men | A Minor | 0 | 8A | 80 BPM | ||
| dA1 | Pane Tostato | F Major | 3 | 7B | 120 BPM | ||
| Drum Mode | Gray | E Minor | 2 | 9A | 191 BPM | ||
| The advent of rose + Croix | Roberto Musci, Giovanni Venosta, Massimo Mariani | B Major | 2 | 1B | 115 BPM | ||
| Newark Airport Rock | Jon Appleton | C Major | 2 | 8B | 95 BPM | ||
| Desert of Ice | Terry Riley | B Minor | 3 | 10A | 135 BPM | ||
| 8 Fish Eyes | The Chitinous Ensemble | F Major | 3 | 7B | 137 BPM |