Raghavendra Acharya Jansale's ' "Arere Kapata" was released on its scheduled release date, March 7, 2022. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Raghava Raga Madhurya, Vol. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Arere Kapata is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Arere Kapata by Raghavendra Acharya Jansale having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dhareyoddharaka | Anantha Kulkarni | F♯ Minor | 5 | 11A | 113 BPM | ||
| Abhayavannu - Studio | Surekha, Shamitha | F♯ Minor | 8 | 11A | 106 BPM | ||
| Divya Charanadhatha - Studio | Surekha, Shamitha | D Major | 5 | 10B | 150 BPM | ||
| Manasu Nandu Tadililla Ninagyaka Tilililla | Guddappa Master | F Minor | 7 | 4A | 87 BPM | ||
| Moosa Maadidi Preethyaaga | Balu Belagundi | F♯ Major | 6 | 2B | 80 BPM | ||
| Om Shakthi Baare Manege | K. Yuvaraj, Sujatha Dutt, Sunitha Prakash | C Major | 7 | 8B | 129 BPM | ||
| Halakki Nudadhanga | Shabbir Dange, Nandita | G Minor | 5 | 6A | 140 BPM | ||
| THULASI MANI | Veeramanidaasan | B♭ Minor | 9 | 3A | 94 BPM | ||
| Dushta Itana | Raghavendra Acharya Jansale | B♭ Minor | 6 | 3A | 147 BPM | ||
| Tangali Tottilolaga | H. B. Fareet | D♭ Major | 5 | 3B | 108 BPM | ||
| Savadattiya Girighogona | Sangeetha | A♭ Minor | 5 | 1A | 120 BPM | ||
| Elli Rama Kirtane | Sri Ganapathy Sachchidananda Swamiji | A♭ Major | 8 | 4B | 145 BPM | ||
| Parashivana Pathniyaagi | Veeramani Raju | A Major | 5 | 11B | 74 BPM | ||
| Maanasa Bhajare | Archana Udupa | E Major | 4 | 12B | 94 BPM | ||
| Preethiya Karula | Shabbir Dange, Chandrika Gururaj | D♭ Major | 5 | 3B | 169 BPM | ||
| Jagadodaranaa | Narasimha Naik | A Major | 7 | 11B | 92 BPM | ||
| Bittu Bande Nee | Ju.Shivarajkumar, Mangala | G Major | 7 | 9B | 80 BPM | ||
| Nettana Mooga | H. B. Fareet | G Major | 8 | 9B | 110 BPM | ||
| Pavamana | Ganesh Desai, Vijay Krishna. D, Vijayadasaru | A Minor | 6 | 8A | 180 BPM | ||
| Dayamade Bhramarambike | Vidyabhushana | C Major | 6 | 8B | 96 BPM | ||
| Innyaka Barali Nimmuriga | Ramalingaiah Gowda | B♭ Minor | 7 | 3A | 168 BPM | ||
| Chellidaru Malligeya | Appagere Thimmaraju | G Minor | 5 | 6A | 183 BPM | ||
| Magane Mecchide | Raghavendra Acharya Jansale | F Minor | 5 | 4A | 167 BPM | ||
| Oh Yallalinga | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | B♭ Minor | 8 | 3A | 111 BPM | ||
| Ugarakolladavva | Mahalakshmi Iyer | A Minor | 6 | 8A | 174 BPM |