Ramesh Kalawadiya's ' "Dhunaa Dhaad" was released on its scheduled release date, November 25, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Ramesh Vol 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. In terms of popularity, Dhunaa Dhaad is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dhunaa Dhaad by Ramesh Kalawadiya having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Tum Meto Mere Dukh | Bhagat Ramniwas Ji | G Major | 7 | 9B | 127 BPM | ||
| Ghunghat khol meethi boliye apne yaar nai | Bali Sharma | A Major | 9 | 11B | 93 BPM | ||
| Kareen Na Preen Rasha Rasha | Bashir Jatoi | G Minor | 10 | 6A | 118 BPM | ||
| Billubhai Laalam Lal - Pamru Mix | DJ Adivasi Maza | B Minor | 9 | 10A | 120 BPM | ||
| Hyo Gadi Hay Bhaltach Chalu | Mukul Shingade, Ishwari Baviskar | F♯ Major | 7 | 2B | 168 BPM | ||
| Maiya Narbada Thari Jay Jaykar | Nimadi Maa Narmada Bhajan | Ashwin Yadav | D♭ Major | 7 | 3B | 113 BPM | ||
| Ranj Fikar Mein Aadhi Hogi | Ranbir Singh Badhwasniyan | E Minor | 3 | 9A | 115 BPM | ||
| Teri Saran Me Aagya Baba | Sumit Kalanaur | B Major | 9 | 1B | 118 BPM | ||
| Jiji Mero Balam Chalave Gadi - Hindi | Naresh Gurjar, Dinesh Gurjar | F Minor | 7 | 4A | 139 BPM | ||
| Bhogne Pade Jarur Karamfal Bundeli | Chandra Bhushan Pathak | D♭ Minor | 9 | 12A | 149 BPM | ||
| Bahut Der Ka Arsa Ho Gaya | Azad Singh | A Major | 3 | 11B | 83 BPM | ||
| Gair Bir Ke Moh | Azad Singh | D Major | 3 | 10B | 145 BPM | ||
| Tera Bhawan Bhi Chhota Pad Gaya | Narendra Kaushik | F♯ Major | 9 | 2B | 83 BPM | ||
| Jawan Balihari Ji Main Apne Guran Ton | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Chandan Maliyagiri Bhajan dhannabhaarti ji | Shri Dhannabhartiji Maharaj | D♭ Major | 6 | 3B | 109 BPM | ||
| Dukh Bhari Hua Pawan Ko | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | A Major | 7 | 11B | 147 BPM | ||
| Mere Hansa Pardesi | Bhakt Ramniwas | F Minor | 6 | 4A | 139 BPM | ||
| Makhan Dheke | Ramesh Kalawadiya | F Minor | 4 | 4A | 112 BPM | ||
| Uth Ja Ajit Ho Ja Tyaar | Bhai Ranjit Singh Dhadrianwale | F Minor | 2 | 4A | 176 BPM | ||
| Jaat Mehar Sinh Kii Sabase Hit Raagni | Ramesh Kalawadiya | E Major | 9 | 12B | 71 BPM | ||
| Ramji Bhajwa Ri Nem | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Ludkat Aa Rai Gend Khelat Aa Ray Kanhaiya | Jitendra Khare, Laxmi | E Major | 8 | 12B | 126 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Pillu Kashi Mi Tula Video Call Karu | Aniket Bajad, Gungun Ranyeole | F Minor | 3 | 4A | 108 BPM |