Jay Israelson's 'Beatrice at the Benefit' had a release date set for September 24, 2014. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Longest Week (Original Music from the Motion Picture)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Beatrice at the Benefit is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Beatrice at the Benefit by Jay Israelson having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honeymoon Swoon | Werner Tautz | A♭ Major | 4 | 4B | 87 BPM | ||
| Crystal | Piero Umiliani | E Minor | 2 | 9A | 174 BPM | ||
| For Once | Almost Here | B♭ Minor | 3 | 3A | 71 BPM | ||
| High Heels | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | F Minor | 2 | 4A | 159 BPM | ||
| Una bossa piccola piccola 1 | Gianni Marchetti | F Major | 2 | 7B | 120 BPM | ||
| Lonely Nightingale | Bert Kaempfert | F Major | 4 | 7B | 112 BPM | ||
| By the Sleepy Lagoon | Eric Coates, John Wilson, BBC Philharmonic | C Major | 1 | 8B | 77 BPM | ||
| Hey There | Eddie Heywood | E♭ Major | 1 | 5B | 91 BPM | ||
| Alone at Last | Syd Dale | F♯ Major | 5 | 2B | 120 BPM | ||
| Night Story 1 | Nora Orlandi | F Minor | 0 | 4A | 98 BPM | ||
| Broccati Veneziani | Stelvio Cipriani | D Minor | 3 | 7A | 105 BPM | ||
| La Madrague | Maurice Green | G Major | 3 | 9B | 105 BPM | ||
| Thé Pour Deux | Quintet de Jazz Parisien | B♭ Minor | 3 | 3A | 114 BPM | ||
| Young Lady | Berto Pisano | B Minor | 1 | 10A | 134 BPM | ||
| Tendresse | Jean Bonal | C Minor | 1 | 5A | 114 BPM | ||
| Miss Luna Special | Piero Piccioni | E♭ Major | 4 | 5B | 124 BPM | ||
| Sunbeam Bossa | Bossa Nórdica | A Minor | 2 | 8A | 120 BPM | ||
| Matrimonio combinato | Gianfranco Plenizio | G Major | 1 | 9B | 108 BPM | ||
| Passion Bait | Trio Leo | C Major | 6 | 8B | 120 BPM | ||
| Recado | Original Paris Swing | B Minor | 5 | 10A | 96 BPM | ||
| No matter what | Leandro Amor Trio | B♭ Major | 3 | 6B | 120 BPM | ||
| Dancing in the Dark | The Melachrino Strings and Orchestra | A Minor | 3 | 8A | 73 BPM | ||
| Perfume and Smoke | Cavendish Music | C Major | 3 | 8B | 128 BPM | ||
| Farewell | Erikson Jayanto | B Minor | 2 | 10A | 158 BPM | ||
| Jazz Whistler | Alessandro Alessandroni | A♭ Major | 4 | 4B | 112 BPM |