"Friendly Persuasions: II. Pierre Bernac" by Jake Heggie, Stephen Costello, Carol Wincenc, José González, Emil Miland had its release date on October 1, 2013. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jake Heggie, Nathan Gunn, Joyce DiDonato's "Heggie: HERE/AFTER" album is number 2 out of 32. On top of that, Netherlands appears to be the country where this track was created. Friendly Persuasions: II. Pierre Bernac is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Friendly Persuasions: II. Pierre Bernac by Jake Heggie, Stephen Costello, Carol Wincenc, José González, Emil Miland to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
| Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus | Gustav Mahler, Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | D Major | 1 | 10B | 107 BPM | ||
| It's a Wonderful Life, Act II: Changes and Blessings | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, William Burden | E♭ Major | 6 | 5B | 169 BPM | ||
| I Colori della Gioia | Jan van der Roost, Anneke Luyten, Casco Phil | D Major | 2 | 10B | 68 BPM | ||
| Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
| Gounod: Faust, CG 4, Act 1 Scene 2: No. 4, Duo, (a) "Me voici! … Non" (Méphistophélès, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | ||
| Paulus: I. Teil: Nr. 12 Rezitativ & Arioso A "Und zog mit einer Schaar gen Damaskus" | Felix Mendelssohn, Annette Markert, Philippe Herreweghe | E♭ Minor | 1 | 2A | 125 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| My True Love Hath My Heart | Jake Heggie, Sylvia McNair, Frederica von Stade, Emil Miland, Marilyn Horne | E Major | 1 | 12B | 166 BPM | ||
| Eve-Song: V. Snake | Jake Heggie, Lilian Farahani, Maurice Lammerts Van Bueren | G Major | 1 | 9B | 144 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 2 | 12A | 80 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Ariadne auf Naxos, Op. 60, TrV 228: "Es gibt ein Reich" | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 77 BPM | ||
| Candide / Act I: 5. It Must Be So | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Zueignung, Op.10, No.1 | Richard Strauss, Barbara Bonney, Malcolm Martineau | C Major | 1 | 8B | 135 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: XIII. Softly and Gently "Angel's Farewell" | Edward Elgar, Karen Cargill, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D♭ Minor | 2 | 12A | 80 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | D♭ Minor | 2 | 12A | 80 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | D♭ Minor | 2 | 12A | 80 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM |