Ian Darby's ' "Emerging from the Shadows (Solo Acoustic)" was released on its scheduled release date, February 12, 2024. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Solo Ghost". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Turks and Caicos Islands. The popularity of Emerging from the Shadows (Solo Acoustic) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Emerging from the Shadows (Solo Acoustic) by Ian Darby having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trevellyan (Instr) | Ian Darby | A♭ Major | 4 | 4B | 170 BPM | ||
| Come Fratelli | Paolo Buonvino | A Major | 3 | 11B | 120 BPM | ||
| Partnership | Xavier Rudd | C Major | 2 | 8B | 128 BPM | ||
| Remorse Code | Richard Hawley | D Major | 4 | 10B | 113 BPM | ||
| October Sea | Katie Barbato | E Minor | 3 | 9A | 147 BPM | ||
| Exit Stage Left | NIGHT FLIGHT | F♯ Minor | 3 | 11A | 108 BPM | ||
| Riding On The Wind | Blanco White | A Minor | 1 | 8A | 148 BPM | ||
| Hymn for Her | The Magic Numbers | C Major | 3 | 8B | 152 BPM | ||
| Don't Look Behind You | Duff McKagan | D♭ Major | 3 | 3B | 140 BPM | ||
| Now We Grow - Instrumental | Aaron Percy | A♭ Major | 0 | 4B | 128 BPM | ||
| Eventual Surrender | William Tyler | C Major | 3 | 8B | 80 BPM | ||
| Messed up mind | Akeboshi | B♭ Major | 5 | 6B | 140 BPM | ||
| Where I've Been | J. Steinfort | G Major | 1 | 9B | 140 BPM | ||
| Shimmerland | Ian Darby | E Major | 1 | 12B | 97 BPM | ||
| This Masquerade | Nils Landgren | D Major | 2 | 10B | 210 BPM | ||
| Toing and Froing | Silver Birch | G Major | 1 | 9B | 140 BPM | ||
| Wonderful Feeling | Morten Abel | G Major | 1 | 9B | 140 BPM | ||
| Clemency for the Wizard King | The Mountain Goats | A Major | 5 | 11B | 104 BPM | ||
| Lonely Myself | 김지수, Lee Yisak | D Major | 3 | 10B | 70 BPM | ||
| One Day You'll Dance for Me, New York City | Thomas Dybdahl | C Major | 4 | 8B | 83 BPM | ||
| Durch die Nacht | Philipp Poisel | B Minor | 7 | 10A | 82 BPM | ||
| jesus is a rochdale girl | Elbow | C Major | 2 | 8B | 100 BPM | ||
| Pride Of Pimlico | Jim Guthrie, J.J. Ipsen | F Major | 4 | 7B | 98 BPM | ||
| I Always Let You Burn Me to the Ground | John Moreland | D Major | 4 | 10B | 154 BPM | ||
| You Needed Love, I Needed You | Angelo De Augustine | D Major | 2 | 10B | 89 BPM |