"Trinity Of Creative Self" by James Brandon Lewis had its release date on February 16, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Transfiguration". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Trinity Of Creative Self's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trinity Of Creative Self by James Brandon Lewis having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unearth What You Already Knew | Kalia Vandever | A Minor | 3 | 8A | 99 BPM | ||
| The Time Is The Place | The Messthetics, James Brandon Lewis | C Major | 1 | 8B | 78 BPM | ||
| Azrael | Deadeye, Reinier Baas, Kit Downes | D Major | 8 | 10B | 106 BPM | ||
| One Can Only Go Up | Jacob Garchik | F Major | 8 | 7B | 80 BPM | ||
| Evidence | Baptiste Herbin, Minino Garay, Felipe Cabrera | D♭ Minor | 3 | 12A | 125 BPM | ||
| Apple Cores #2 | James Brandon Lewis | D♭ Major | 7 | 3B | 96 BPM | ||
| Day Dream | Dave Douglas, Ian Chang, Rafiq Bhatia, James Brandon Lewis | G Minor | 3 | 6A | 151 BPM | ||
| AFRIQA | Either/Orchestra | C Minor | 7 | 5A | 118 BPM | ||
| She Wants Nothing in the World but for the Sky to Move from Here to There | Thomas Hunter, Patrick Shiroishi, Stephen Waller | D♭ Minor | 3 | 12A | 125 BPM | ||
| Compassion | Vijay Iyer, Linda May Han Oh, Tyshawn Sorey | F♯ Major | 3 | 2B | 106 BPM | ||
| Sharky Yuppies | Sylvain Rifflet | D♭ Minor | 5 | 12A | 174 BPM | ||
| Hairline Fracture | eel | D♭ Minor | 3 | 12A | 125 BPM | ||
| Search Bar Hi Hat | SML, Jeremiah Chiu, Gregory Uhlmann, Josh Johnson, Booker Stardrum, Anna Butterss | B Minor | 4 | 10A | 116 BPM | ||
| One O´clock Junk | Scandinavian Art Ensemble, Tomasz Stańko | B♭ Minor | 3 | 3A | 114 BPM | ||
| Ervann (Radio Edit) | VLIEGWERK | D♭ Minor | 3 | 12A | 125 BPM | ||
| Never Gonna Run Away | Brandon Woody | E Major | 5 | 12B | 62 BPM | ||
| Embracing Difference | Fieldwork | C Minor | 2 | 5A | 122 BPM | ||
| Rain On The Canopy | Melting Sky | Rafiq Bhatia | F♯ Minor | 5 | 11A | 104 BPM | ||
| MIDSUM BREW (feat. Savannah Harris) | Petter Eldh, Savannah Harris | D♭ Major | 6 | 3B | 96 BPM | ||
| Skin | Linda May Han Oh, Ambrose Akinmusire, Tyshawn Sorey | G Major | 1 | 9B | 74 BPM | ||
| Fourth Wall | The Messthetics, James Brandon Lewis | G Major | 7 | 9B | 168 BPM | ||
| Withholding | Kalia Vandever | A Minor | 3 | 8A | 99 BPM | ||
| Year 59: Insurgent Imagination | James Brandon Lewis | E♭ Major | 6 | 5B | 119 BPM | ||
| The Returning Angel | Nels Cline | A Minor | 3 | 8A | 73 BPM | ||
| Vinden Stiger | Gard Nilssen Acoustic Unity | C Major | 2 | 8B | 118 BPM |