Sawari Bai's ' "Hat Mat Pakde Parwati" was released on its scheduled release date, June 7, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Shiv Bhajan". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Hat Mat Pakde Parwati's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hat Mat Pakde Parwati by Sawari Bai having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaisalmer Jaijo Banni Re Bariyo Laijo | Raghu Rana Thadiya | C Major | 8 | 8B | 110 BPM | ||
| Pillu Kashi Mi Tula Video Call Karu | Aniket Bajad, Gungun Ranyeole | F Minor | 3 | 4A | 108 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Le Le 100 Ka Note - Hindi | Naresh Gurjar, Hari Ram Gurjar, Ranu Agarwal | G Major | 9 | 9B | 158 BPM | ||
| Bewafa Sanam (feat. Naval Mali) | Govind Gayakwad, Naval Mali | A♭ Major | 9 | 4B | 185 BPM | ||
| Mhare Ghare Aaja Byai | Rani Rangili | D Major | 8 | 10B | 80 BPM | ||
| M Deewani Chu Taar | Shahin Shaikh, M Farukh Shaikh, Sonu Rathod | D♭ Major | 6 | 3B | 170 BPM | ||
| Bagdawat | Raju Rawal, Rinku Sharma | E♭ Major | 8 | 5B | 127 BPM | ||
| Baba Mahare Ghar Me Bhut Badge | Gaurav Gujjar Pavi | D♭ Minor | 9 | 12A | 125 BPM | ||
| Sakuro | Habib Khan | B♭ Minor | 10 | 3A | 120 BPM | ||
| Mare Payal Ghadade Re | Sawari Bai | D♭ Minor | 9 | 12A | 125 BPM | ||
| Tulabhi Kalal Majha Vajan | Sajan Bendre | F Major | 8 | 7B | 88 BPM | ||
| ADISHAKTI KALUBAI | Akash Shinde | F♯ Major | 9 | 2B | 140 BPM | ||
| Sohno Sohno Laage Re Barsano | Sawari Bai, Sugna Bai | D♭ Minor | 9 | 12A | 125 BPM | ||
| Nath Chhoti Nath Moti - Original | Asha Sapera | E Major | 8 | 12B | 100 BPM | ||
| Naina Ra Lobhi Ki Kar - Rajasthani Wedding Song | Nirmal B. Pawaar, Saraswati Devi Dhandhada | G Major | 6 | 9B | 145 BPM | ||
| Pahle Aali Hawa Rahi Na - Hindi | Ramkesh Jiwanpuriya | D♭ Minor | 6 | 12A | 140 BPM | ||
| Hari-Hari Kamdi Se | Anandilal Bhawel | D♭ Major | 5 | 3B | 65 BPM | ||
| Balam Pardesi | Asha Sapera, Balveer Singh Rathore, Pooja Shekhawat, Jai Vaishnav | D Major | 9 | 10B | 92 BPM | ||
| Naag Lapeta | Rani Rangili | D♭ Minor | 10 | 12A | 104 BPM | ||
| Goriya Dele Gajodhar Ke Dhokha | Dinesh Lal Yadav | F♯ Major | 8 | 2B | 70 BPM | ||
| Banna Fulka Kaise Pou Re | Sawari Bai | D♭ Minor | 9 | 12A | 125 BPM | ||
| Banda Apna Dadu Sa Bagh | Sawari Bai | D♭ Major | 9 | 3B | 129 BPM | ||
| Kitni Priksha or levegi maai ri | Mukesh Sharma | B Major | 10 | 1B | 124 BPM | ||
| Pili Pad Gayi Rasiya | Pankaj Sharma | A♭ Major | 9 | 4B | 162 BPM |