"Hyperophelia" by Max Richter had its release date on September 2, 2016. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Max Richter's "Morgan (Original Motion Picture Soundtrack)" album is number 14 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Hyperophelia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hyperophelia by Max Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infra 8 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | C Minor | 2 | 5A | 70 BPM | ||
| Preludium Es-dur | Hania Rani, Dobrawa Czocher | E♭ Major | 1 | 5B | 111 BPM | ||
| Riksarkivet | Hania Rani | G Major | 0 | 9B | 146 BPM | ||
| Emerald and Stone | Brian Eno, Jon Hopkins, Leo Abrahams | B Major | 0 | 1B | 179 BPM | ||
| Meant To Be | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| Solo - Pt. 1 | Max Richter, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | G Minor | 0 | 6A | 63 BPM | ||
| I will not forget you | Max Richter | C Major | 1 | 8B | 77 BPM | ||
| One Without | Oliver Coates | E♭ Minor | 1 | 2A | 97 BPM | ||
| We're Here | Ben Lukas Boysen, Sebastian Plano | D Minor | 2 | 7A | 62 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM | ||
| Each Wish Resigned | Kira Ha | C Minor | 1 | 5A | 88 BPM | ||
| Current | Phoria | A♭ Minor | 1 | 1A | 78 BPM | ||
| Patterns / Solo - Pt. 3 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | B♭ Major | 0 | 6B | 81 BPM | ||
| The Last Farm 5 | Kjartan Sveinsson | D♭ Minor | 2 | 12A | 83 BPM | ||
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| Pian Perduto | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 69 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Suspirium (Arr. Rimmer) | Jess Gillam, Jess Gillam Ensemble | D♭ Minor | 0 | 12A | 93 BPM | ||
| Fade Away | Niklas Paschburg | E♭ Minor | 4 | 2A | 170 BPM | ||
| At Eternity's Gate | Clint Mansell | A Minor | 1 | 8A | 84 BPM | ||
| The Road | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 105 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
| Running By The Roads, Running By The Fields (Solo Piano) | Library Tapes | D Minor | 1 | 7A | 122 BPM | ||
| Awe | Roger Goula | A Minor | 3 | 8A | 130 BPM |