Francesco D'andrea's ' "Fragments and Its Overtones" was released on its scheduled release date, July 19, 2020. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Fragments and Its Overtones's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 6 in Fragments and Its Overtones by Francesco D'andrea. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Fragments and Its Overtones's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Fragments and Its Overtones by Francesco D'andrea is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scarlet | Brianna Tam | D Minor | 6 | 7A | 75 BPM | ||
| 5.5 Gavottes | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | C Minor | 2 | 5A | 102 BPM | ||
| Bioluminescence | Brianna Tam | D Major | 4 | 10B | 156 BPM | ||
| Ecole militaire 3 | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
| The Sublime | Mattia Turzo | D Minor | 8 | 7A | 140 BPM | ||
| Apocalypse at the Disco | Tomáš Herudek | G Major | 7 | 9B | 120 BPM | ||
| Start Again | Luca D'Alberto | G Minor | 3 | 6A | 129 BPM | ||
| Beginning to End: Act II | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| Power | Joseph William Morgan | A Minor | 3 | 8A | 176 BPM | ||
| Ways to Heaven | François Rousselot | C Major | 1 | 8B | 120 BPM | ||
| Fervent | Christoffer Moe Ditlevsen, Anna Dager, Hanna Ekström | E Minor | 2 | 9A | 83 BPM | ||
| Tombeau de Vivaldi | Spearfisher, Cicely Parnas | E♭ Major | 3 | 5B | 105 BPM | ||
| Case 793 | Joseph William Morgan | G Major | 6 | 9B | 170 BPM | ||
| The Game Is Afoot | Eternal Eclipse | D Major | 7 | 10B | 140 BPM | ||
| Now or Never | Francesco D'andrea | D Minor | 4 | 7A | 167 BPM | ||
| Poetry of Madness | Secession Studios, Greg Dombrowski | A Minor | 2 | 8A | 79 BPM | ||
| Dangerous Affairs | Inon Zur | D Minor | 4 | 7A | 150 BPM | ||
| Arno's Waltz | Joshua Kyan Aalampour | B Minor | 1 | 10A | 181 BPM | ||
| The Count | Audiomachine | F Minor | 4 | 4A | 131 BPM | ||
| Partners in Crime | Christoffer Moe Ditlevsen | E Minor | 3 | 9A | 86 BPM | ||
| Face the Music | Patrick Thomas Hawes | F Minor | 2 | 4A | 100 BPM | ||
| Dark Horse | Michael H Lee, Ghostwriter | D♭ Minor | 3 | 12A | 105 BPM | ||
| Things That Hold Memory | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | E Minor | 2 | 9A | 87 BPM | ||
| Agitato | Nono, Roie Shpigler | A Minor | 7 | 8A | 87 BPM | ||
| Floris Folium | Mattia Turzo | D Major | 9 | 10B | 105 BPM |