Orquesta Sinfónica De Radio Hamburgo's 'Suite N1. En LA Gruta Del Rey De La Montaña' had a release date set for December 1, 2008. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Suite N1. En LA Gruta Del Rey De La Montaña's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Peer Gynt Suite N1 Y N2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Spain. In terms of popularity, Suite N1. En LA Gruta Del Rey De La Montaña is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite N1. En LA Gruta Del Rey De La Montaña by Orquesta Sinfónica De Radio Hamburgo having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel: Keyboard Suite in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Andrei Gavrilov | A Minor | 1 | 8A | 77 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Nocturne In E Flat | Nicolai Kureschky | B♭ Major | 0 | 6B | 115 BPM | ||
| Violin Concerto No.1 in A minor, BWV 1041: I. (Tempo ordinario) | Bamberg Symphony, Hanspeter Gmür, Otto Büchner | A Minor | 3 | 8A | 87 BPM | ||
| The Cuckoo In The Depths Of The Woods | St. Mark's Philharmonic Orchestra | E Major | 0 | 12B | 70 BPM | ||
| Fantaisie Impromptu, Op. 66 | Anna Malikova | D♭ Major | 1 | 3B | 71 BPM | ||
| Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland, Hanna Wolczedska | A Minor | 0 | 8A | 101 BPM | ||
| Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
| Sonata in C-Sharp Minor, Op. 27: No. 2, "Moonlight": Adagio sostenuto | Mindru Katz | D♭ Minor | 0 | 12A | 144 BPM | ||
| Le sacre du printemps: Part 1 "Adoration of the Earth", The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Columbia Symphony Orchestra | G Minor | 3 | 6A | 116 BPM | ||
| В пещере горного короля, Cоч. 23 №7 | Лондонский симфонический оркестр, Ойвин Фьельстад | G Major | 1 | 9B | 90 BPM | ||
| Concerto grosso in la minore, A-Moll, op. 3/8: I. Allegro | I Solisti di Zagreb | A Minor | 2 | 8A | 96 BPM | ||
| Peer Gynt Suite, Op. 55, No. 2: Solveigs Lied | Slovak State Philharmonic Orchestra, Christian Ehwald | A Minor | 0 | 8A | 123 BPM | ||
| Violin Sonata in G Major, K. 301: II. Allegro | Artist Unknown | D Major | 2 | 10B | 108 BPM | ||
| Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
| Violin Concerto in E Major, RV 269 ("Spring" from "The Four Seasons"): I. Allegro | Antonio Vivaldi, Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul | G Major | 1 | 9B | 81 BPM | ||
| Opera 28 n. 15: Preludio | Maurizio Mastrini | D♭ Major | 0 | 3B | 72 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
| Gymnopédie No. 2 | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 79 BPM | ||
| The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
| Clair de lune | Claude Debussy, Finghin Collins | D♭ Major | 0 | 3B | 71 BPM | ||
| Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
| " Gran Partita " , Serenade für Bläser in B Major, K. 361, No. 10: III. Adagio | Slowenisches Symhonieorchester, Anton Nanut | E♭ Major | 1 | 5B | 142 BPM | ||
| The Marriage of Figaro, "Le Nozze di Figaro", K.492: Overture | London Philharmonic Orchestra, Edward Downes | D Major | 2 | 10B | 148 BPM | ||
| Rhapsody In Blue | Radio Orchestra Berlin | D♭ Minor | 1 | 12A | 148 BPM |